The Monster Project (2017)

A group of filmmakers decide to do a reality tv/found footage project about real monsters.

Written by Victor Mathieu, Shariya Lynn, and Corbin Billings, the film is directed by Victor Mathieu who takes a found footage approach to things, having the show within the movie and the action of the people behind the scenes all being in found footage style, for better or worse. The story here is one found footage fans are familiar with. A team goes into a building with the hopes of filming real monsters and interviewing them. In what looks like something very inspired by ghost hunters tv shows, the crew shoots themselves doing this in night vision on very shaky cam. The monsters here may or may not be real, something the film hopes to blur with its approach and how the characters are brought on.

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Justice Served (2017)

In the modern social and political climate, Patrick Rea’s “Justice Served” is going to play well and perhaps stir up some much needed controversy. While director Rea delivers his usual slick special effects and morbid tone, “Justice Served” is a brilliant commentary on society and how far we’ve come. Society is nothing but people exploiting people, exploiting people, we’re devils and devil’s advocates. Director Rea creates a backward world where the society we witness is shockingly not that different than what we’re seeing today.

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Blood Honey (2017)

A woman returns home after an extended absence to find that things have not changed much, yet they are not what it seems.

Written by Doug Taylor and director Jeff Kopas, the film works with themes of family, grieving, mental illness, trauma, and related ones.  As it delves into the family dynamics and relationships between daughter and father, sister and brother, and others, the film develops characters that all have a connection one way or another and whose relationships are strained to say the least.  The characters created seem a bit limited as they pretty much only exist in relation to each other, except for the lead who is a somewhat more fully fleshed character.  Her trauma and evolution are central to the story here, so she makes a decent lead.  Her story is interesting and the twists keep the attention, however, the story feels like something is missing.  But, by the end, things feel more complete in a way.

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Slapface (2017)

Director and writer Jeremiah Kipp creates a very stark and somewhat creepy tale of loss, grief, and child abuse with “Slapface,” a short that is destined to grab a lot of people’s attention. At only eight minutes, “Slapface” tells the story of a young boy still coming to terms with the loss of his mother. One day he ventures out deep in to the woods and calls to something in the shadows, goading it to come out of hiding and before long is greeted by a vicious, ugly ogre in tattered clothing and long hair that zealously grasps him to the point of making him lose consciousness.

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Annabelle Creation (2017)

A prequel to the prequel to The Conjuring films, the story here is that of how the evil doll Annabelle came to be. Years following a tragic accident, a doll maker and his wife take in a group of orphans needing a new place to live with the nun who watches over them. As they are forbidden to go in a specific room, the young girls get curious and something is awakened.

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The Shorts of Fantasia International Film Festival 2017 – Part 3 [Fantasia International Film Festival 2017]

Each year Fantasia showcases a ton, almost a literal ton, of shorts films.  Reviewing them can be a bit demanding, so it has been decided to review them in groupings.  The following shorts were attached to feature films that played the fest and were viewed on the big screen.

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