It’s Santa! Or is it Krampus? In either case, directors Dionysis and Manos Atzarakis have a real winner on their hands with the very short but utterly creepy “Santa.” Though it’s barely two minutes in length, “Santa” garners enough of a story element and set up to become utterly horrifying; Especially considering the tropes of Santa being a welcoming and loving presence on Christmas night.
It’s ridiculous how great director Bryan Trenchard-Smith’s sequel to “Night of the Demons” is. Smith doesn’t just take Kevin Tenney’s story and run with it, but he ups the ante by adding mythology, giving Angela a larger persona as the series’ official villain, and has a damn good time. And how bad ass is Jennifer Rhodes as film heroine Sister Gloria, an uptight nun whose own religious devotion becomes the only thing that can stop Angela’s reign of terror?
Director Kevin Tenney loves Halloween, and it’s never made more clearly than during the “Night of the Demons.” The 1988 horror film is still a fun and hilarious horror comedy that doesn’t just embrace its horror tropes, but celebrates Halloween as a whole. From the pumpkin in the opening shot to the book end sub-plots involving a crabby old man preparing for trick or treaters, “Night of the Demons” is a perfect film for a Halloween party, and just a downright fantastic summary of why the eighties were such an unabashed festival of novelties for the horror genre.
Movie three and I’m still not sure about what Hull house is, or why it hasn’t been torn down yet by the city. We know it’s built to keep out demons, and we know a man is accused of slaughtering his entire family (all of whom likely possessed by demons), but beyond that we’re not given anymore information. There’s still a lot of material to be mined from the concept, but director Jimmy Kaufman is mainly here to bring us through the motions. Angela is back, and she’s preparing another Halloween party for demonic minions. That’s about it, and that’s all we’re really getting for this final outing. Unlike the second film, Kaufman doesn’t do much with Kevin Tenney’s original premise.
Gary Busey didn’t come back for the sequel? Was he holding out for more money or did his wrangler have a hard time tranquilizing him? In either case, much of “Gingerdead Man 2” is still just so damn inexplicable and confusing. Michelle Bauer plays Miss Polly who appears at a local film shoot with baked goods. Inside the box is Gingerdead Man. How did he get in there? Why is he there? Is someone sending him around to kill people? It’s never actually explained or remotely hinted.
What do you do when you’re the only person that can signal something truly dire looming in the darkness? How do you handle information that you can’t possibly comprehend? Would you rather not know what evil is coming forth, or do you put the information to good use? Director Colin MacDonald’s short horror film is teeming with foreshadowing and excellent dread that promises a great dose of terror and atmosphere fans will get behind.
Director Jacques Tourneur’s horror thriller is probably one of the most unique and menacing thrillers about a woman’s inherent ferocity and rage ever made. “Cat People” is filled to the brim with metaphor and symbolism, from the parallels of Simone Simon’s character Irena’s to a black panther stuck in a cage, right down to a kitten confined in a small paper box by Irena’s husband to be Oliver. After surprising her with the pet as a gift, the cat discovers that it hates Irena, and she it. More suitably though, the two aren’t kindly to being tied down and given to domestic masters.