Well if anything “Return III” doesn’t remake the first film as part II did. And it introduced us to the red haired goddess we know as Melinda Clarke. “Return III” is a goofy and kind of odd twist on the original film, but it packs in a pretty interesting romance, as well as staging the furnace scene from the first film again except with two people devastatingly in love.
Hey after “Return” ended, there was really nowhere left to go. The characters were dead, zombies were taking over the world, and the government nuked an entire city. And it’s heavily implied that the rain over head would carry the nasty zombification over in to another city and a whole new batch of zombies would come up to look for brain matter. Dan O’Bannon and co. really left “Return” with nowhere else to go as it sealed up the ending nice and tight. So what else for a studio to do when they want to sap more cash from a zombie film? Remake the first film! Sort of. That makes sense, I’m assuming. In some warped manner.
Director Alex Craig Mann’s horror zombie comedy would probably like to be considered an amalgam of “Shaun of the Dead” with “The Breakfast Club.” And while those attempts at claiming both territories are admirable, his film never quite lives up to aspiring for both heights at all. Mann’s film starts out respectably, taking beats from “Shaun” with moments of school activity interrupted by zombies lurking in the background and stumbling in to class. And then suddenly everything goes to hell. The problem is while it seems to enjoy “Shaun” very much, it’s never as humorous or clever. When it has the chance to compensate for that flaw by focusing on rich and complex characters, it doesn’t do that as well as it should, either.
Despite its brutally predictable ending, the Australian short zombie film “Perished” is a grueling and terrifying horror entry. Once again, a storyteller has the idea to feature less zombie carnage and explore the minutiae of survival where every little step dictates whether you live or die by tooth and nail of the walking dead.
I wish more zombie movies could be like Jeremy Gardner’s “The Battery.” The problem with most modern zombie films is that the writers forget that the humans should be the centerpiece of the film, and not the zombies. Director Jeremy Gardner’s “The Battery” is the prime example of how to handle this kind of genre entertainment with a low budget. Rather than flood the screen with zombies, the monsters are used sparingly and for great moments of terror and memorable scenes, while Gardner focuses primarily on character, building two complex and unique people we can love and hate, in many ways.
This October, zombie fans are able to scoop up the newest film compilation from Mill Creek Entertainment. With over sixteen hours of classic and not so classic zombie movies, this is for the horror fans looking for more with their bucks. The 1962 shocker “Carnival of Souls” is a classic spook fest, about a young woman who crashes in to a lake and survives to tell the tale. Trying to make sense of the incident, she finds herself being stalked by pale bug eyed zombies, all of whom are identical and desperate to take her. For reasons unknown (until the very end), she can’t escape their grasp.
Spawned from a mock variant cover last year, “Afterlife with Archie” is another of the many unique attempts by Archie Comics to re-claim their relevance. After wisely acknowledging that there are such things as gay people in their universe, Archie is now embracing the horror genre. Thankfully, this crossover isn’t disastrous like their crossover with The Punisher. This is more demented with a hint of genius like “Marvel Zombies.” I don’t know how long this series can go before it gets boring, but so far I’m loving the dark nature of the Archie Universe.