Lesson of the Evil (Aku no kyôten) (2012)

Posted on April 11, 2014 by Felix Vasquez

It’s so gratifying to see Takashi Miike returning to his chaotic roots that helped make him such a beloved auteur. While I’m sure his court room movie “Ace Attorney,” and the “Ninja Kids” actioner were fine outputs, “Lesson of the Evil” is a return to form for a man who proves he hasn’t lost a bit of his step. “Lesson of the Evil” isn’t just shocking, but it’s gory, disturbing, and features some of the most surreal supernatural elements I’ve seen in years. Miike comes back with a bang, and I had a difficult time turning away from “Lesson of the Evil,” even when it was tough to sit through.

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Nightbeasts (2010)

Posted on April 10, 2014 by Felix Vasquez

“NightBeasts” is a really silly, camp drenched movie. It’s Sasquatchsploitation with a surprisingly tongue in cheek tone that undercuts all menace it possesses. And the good thing is that star Zach Galligan at least seems to be in on the joke. He sports a terrible Southern accent, is probably the worst father in the world, and really does nothing but puff his chest and go shooting at some sasquatches in the woods. “NightBeasts” doesn’t aim for “Abominable” levels of horror, but it’s worth a viewing, if only for Galligan who hams it up big time.

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Corman’s World: Exploits of a Hollywood Rebel (2011)

Posted on April 7, 2014 by Felix Vasquez

Roger Corman’s contributions have been unmatched by most Hollywood directors, and sadly he’s become a mostly unappreciated presence in filmmaking. As viewed in “Corman’s World,” Roger Corman is one of the most ambitious but very money conscious filmmakers that’s managed to build an entire legacy out of creating entertainment on low budgets, while discovering some of the best filmmakers of all time. From giving Martin Scorsese and Peter Bogdonavich their breaks, to teaching Ron Howard how to direct around limited resources, Roger Corman has been a wizard of giving studios what they want, and doing it his way.

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The Witch (2013)

Posted on April 7, 2014 by Felix Vasquez

Director Jason Shurkey’s “The Witch” is light on story and narrative, but it’s a good student film, nevertheless. It garners some really tight editing and an atmosphere that make it a Gothic short horror film that’s very much worth experimenting with. Director Shurkey really knows how to develop a tone from the outset, and follows through with a surreal horror film.

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Return to Nuke ‘Em High Volume 1 (2013) [Blu-Ray]

Posted on April 7, 2014 by Felix Vasquez

Director Lloyd Kaufman leaves no stone unturned with his return to Tromaville, as he revives his iconic “Nuke Em High” series, except for a modern age. Though it’s teeming with eighties flavor, including mutant punks that delight in mutilating unfortunate victims, Kaufman has a blast destroying most of society’s quirks and obnoxious qualities, including veganism, the obsession over social media, and how political movements are about being trendy and not actually caring. Despite many years to polish their films, and hone their craft, the return to Nuke ‘Em High is still an ugly and offensive film, but damned funny to boot.

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Afflicted (2014)

Posted on April 5, 2014 by Felix Vasquez

Clif Prowse and Derek Lee’s “Afflicted” is a mix of “Innocent Blood,” and Cronenberg’s “The Fly,” with a hefty injection of “Chronicle.” It’s rife with cliches, predictable plot twists, and is about ten minutes too long. But in spite of all of that, I’d definitely suggest “Afflicted” to horror fans. Because while it’s retreaded horror fodder, it’s well directed, tightly edited, and solidly performed horror fodder to say the least. I knew what was coming, but I was also very much invested in the characters. I also really enjoyed the special effects.

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Doc of the Dead (2014)

Posted on April 2, 2014 by Felix Vasquez

Whether you love or hate George Romero and his films, there’s no denying that without his zombie movies there wouldn’t be the zombie culture we know today. Surely we might have two or three zombie movies concerning the sleepy servants of voodoo masters, but we wouldn’t have the flesh eating hordes that are currently consuming pop culture and the world as we know it. There’s also a very good interview where filmmaker Alex Cox notes that were it not for “Night of the Living Dead” becoming public domain, there likely would not have been inspiration for filmmakers to offer their own zombie entertainment for horror fans.

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