I’ve warmed up to “Hatchet III” a little bit since I originally saw it. Not a whole lot, but just a tiny bit. Mostly because while Adam Green is still better than what this premise entails, he is actually talented when he decides to be. Like Adam Sandler, he can deliver some true greatness, he just indulges his fan base that asks for more lowbrow entertainment that he makes his bread and butter off of. When most of his fans were mocking Green for directing the PG-13 “Spiral,” I don’t blame the man for sticking to the gore soaked “Hatchet” films to keep his (ugh) “Hatchet Army” by his side.
Tag Archives: Horror
HazMat (2013)
As a slasher fanatic I really can’t endorse “Hazmat” enough. As a Hispanic male, the almost completely Hispanic cast for “Hazmat” is also another reason why I endorse director Lou Simon’s slasher film. You often see so many slasher films about white kids running back and forth and fighting a slasher, it’s rare that we see a predominantly Hispanic cast facing off against a masked killer.
Unlucky Charms (2013)
Charles Bands’ “Unlucky Charms” is entertaining only in the way that modern Full Moon films are. They’re trashy and don’t even seem to try anymore, but at least there’s always a highlight or two that salvages the experience. Plus, “Unlucky Charms” is not even eighty minutes long. Factor in the opening credits, and closing credits, it’s a little over an hour of a goofy horror comedy with really hot women.
Venom: Truth in Journalism (2013)
Cockneys vs. Zombies (2013)
While we may not have a “Shaun of the Dead” sequel, I like to think of “Cockneys vs. Zombies” as the equally funny, and engaging story that occurred during Shaun’s trek to save his girlfriend. This time around, a construction crew accidentally unearths a mysterious tomb filled with corpses and skulls. When the workers are killed by the still re-animated denizens of the tombs, a zombie plague begins to spread across the East Side of London.
The Incredible Melting Man [Blu-ray] (1977)
Neither a Man nor Incredible. He’s barely a “The,” director William Sachs’ science fiction horror doubles also as a melodrama featuring characters you really don’t care about. How many times can character Ted Nelson mention his wife having a baby, or his efforts to have a baby, or his aspirations to father a baby? What importance does it have to the overall premise of “The Incredible Melting Man”? Nothing, really. It’s an effort to garner sympathy for a series of lifeless characters.
Cargo (2013)
Yolanda Ramke and Ben Howling’s short zombie film is a masterpiece. It’s mature, beautifully told, and I was teary eyed by the final scenes. “Cargo” is set during a zombie apocalypse, and both directors only garner eight minutes to tell a story teeming with epic potential. It could be a feature film, but as a short glimpse at a world of the undead, it’s a slice of humanity set amidst monsters in a rapidly decaying land.

