Maniac Cop 2 (1990)

Matt Cordell is back and it was only a matter of time before he continued to seek pure vengeance on those who wronged him in his past life. Going back to the events of the first film, “Maniac Cop 2” traces its steps from the original film to continue off where Cordell started his journey for revenge against the people who framed and jailed him, leaving him to die at the hands of inmates he’d busted years before. “Maniac Cop 2” is a film intent on not only continuing the narrative but finishing off the loose ends of the original film.

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Maniac Cop (1988) [Blu-Ray]

William Lustig is no stranger to films that dabble in the anarchic and try to play with our conceptions of paranoia and fear. The director is responsible for one of the most infamous slashers to ever come out in theaters “Maniac,” so delving in to the opposite spectrum of the premise is not surprising. “Maniac Cop” is almost an unofficial spin off of “Maniac” in where the former title was about a maniacal psycho on the loose in the city, the latter is about a maniacal authority figure on the loose in the city. Lustig doesn’t detract from the same tone and atmosphere that “Maniac” succeeded in and injects much of the same chaos and paranoia in this slasher film.

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We Are What We Eat (2012)

we_are_what_we-eat_poster_0I appreciate ambition. I love ambition. It’s an admirable quality, especially in the possession of storytellers and filmmakers. Sadly, ambition doesn’t always equate quality, and that’s the problem with “We Are What We Eat.” It’s ambitious, sure, but it’s not exactly the greatest short zombie film I’ve ever seen.

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The Old Chair (2012)

oldchairIt’s fantastic what some filmmakers can do when they’re given only a certain amount of time. I’ve seen short films literally crash and burn under the weight of their time restraint, while some just end without much of an explanation. Director Drew Daywalt however manages to squeeze in a back story, exposition, a full narrative and horrifying scares in a little under five minutes, and god help me, “The Old Chair” works as a horror film.

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The Gingerdead Man (2005)

the_gingerdead_manThe best thing to do with “The Gingerdead Man” is not take it seriously. At all. It’s a dumb, goofy, and cheesy horror comedy that invokes the likes of “Jack Frost” and “Child’s Play” to tell a story that’s giddy with cheesiness from the get go. One of the fun aspects of the movie that I intend to follow is the location of the ingredients that spawn the Gingerdead Man. Once bakery owner Sarah receives a mysterious box of gingerbread ingredients, the mysterious mix spawns the evil gingerdead man from the dough. Where did it come from? Who sent it? Who has it out for Sarah? I want to know and I hope the sequels tackle this mystery in the next two films of the apparent trilogy.

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The Ten Most Shocking Moments of "The Walking Dead" Season Two

So it’s finally come! The season finale of “The Walking Dead” has come and gone and another superb season of “The Walking Dead” has come to pass. After much controversy and so much ballyhoo, the pop culture sensation has come to an end for the spring and with it some of the most memorable moments in television we’ve seen in years. With some amazing special effects and top notch performances, “The Walking Dead” has given Cinema Crazed a lot to chew on and we’ll be watching the season over and over again with much enthusiasm! To celebrate the passing of “The Walking Dead” season two, we bring you our ten most shocking moments of season two that left fans gasping, sulking, and cheering for better or for worse.

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The Crow (1994) [Blu-Ray]

the-crow

It’s hard to believe that it’s been almost twenty years since the release of Brandon Lee’s final film, but here we were with a brand new release of his landmark film “The Crow.” In a long overdue treatment it deserves more than most titles out on the Blu-Ray format as we speak “The Crow” hasn’t shown wrinkles at all. “The Crow” is a film that garners a soundtrack with some of the most notable rockers of the nineties, along with some rather of the decade colloquialisms, and still manages to feel completely and utterly timeless. That’s because the world Alex Proyas shapes in his 1994 masterpiece is void of shape and time.

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