Tag Archives: Horror

Mandy Lane: Pretty Poison

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Women are trouble. They always have been and they always will be. To the lovelorn man with a taste for old fashioned romance, women are their poison, the source of inspiration, bliss, torment, and their downfall. “Double Indemnity,” “King Kong,” “Cleopatra,” “MacBeth,” the list goes on, but the one true defining theme in all of fiction is that women can make or break the man, and Jonathan Levine’s “All the Boys Love Mandy Lane” is the truest depiction of the power of the beautiful woman and what they can do in a world that idolizes, idealizes, and fetishizes women. Levine’s film is something of a slow boil horror thriller, one that is based around love for a blond beauty named Mandy Lane, and how she inspires a stalker, male admirers, female admirers, and a slasher lurking in the shadows. This is all set to the tune of the real monster. Her name is Mandy Lane and in the final scenes of Levine’s cult classic, we learn that even the dirtiest of monsters can have an angelic face that few men can resist.

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The Undead: 20 Movies Vampire Collection (DVD)

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91BoASf4FUL._SL1500_Mill Creek Entertainment releases a veritable bevy of 20 films spotlighting the undead and vampires of the sort, all of which is your typical selection you can find literally anywhere online. Sets like this usually consist of nothing but public domain and easily affordable classic horror movies and Television movies, some of which deserve to be shun in to obscurity and others are well worth the re-watch. For any horror buff looking to start their collection, a set like this is the best way to build up the numbers and school yourself in the bare essentials, and with this set Mill Creek gives the consumer four discs, all of which have some rather memorable horror films revolving around the concept of the undead.

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The Tortured (2010)

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the-torturedRobert Lieberman’s dose of mean spirited brutally disgusting torture porn entitled “The Tortured” is a lot like “Hard Candy” except dunderheaded, half-witted, and a pure right wing cartoon. Two young good looking parents in an upper class neighborhood are angry that the police aren’t doing enough to find their son who was kidnapped before husband Craig’s very eyes in their back yard one day. Wife Elise of course barely blames her husband, except blames the authorities. We learn all of this information in only the first five minutes of the film that speeds through the kidnapping, the investigation, Elise’s anguish at the kidnapping, and we even visit the hilariously cartoonish Koslowski, a pedophile hillbilly too ridiculous to be horrified of.

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Trilogy of Terror (1975)

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trilogyofterror3It’s not at all surprising that “Trilogy of Terror” has risen to cult status based solely on the success of Richard Matheson’s “Amelia” segment involving the murderous Zuni Fetish Doll as it is sadly the only remotely entertaining and spooky sequence in the 1975 anthology of three mixed tales. While the film has managed to become a bonafide horror classic I found myself wondering when the terror actually was set to begin, primarily because “Trilogy of Terror” is less centered around invoking terror and more on exploring the psyche of the mind and nothing else. The first two stories are just mere psychological thrillers, while the third story entitled “Amelia” is a straight forward monster in the house cat and mouse story but with a psychological twist setting in to question the mind set of its protagonist. “Trilogy of Terror” is one of the most underwhelming anthology horror films I’ve ever seen and one that’s based around a sense of self-importance that keeps it from sticking true to its nature of television movie horror.

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Rings (2005)

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ringsYou can find this online on video websites in parts, or if you’re one of my type of consumer, you likely bought this as a double DVD set with the re-release of “The Ring” (Still superior to the original), shortly put on store shelves before the release of the disastrous “The Ring 2.” For those who have yet to see it, “Rings” is only a short film that’s meant to bridge the gaps between parts one and two of the American series, but if you were one of the few to see it, you’ll know it’s ten times better than the actual feature length sequel featuring the still slumming Naomi Watts.

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Return to Halloweentown (2006)

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halloweentownI’m not sure why, but Kimberly J. Brown is nowhere to be found in this final film of the “Halloweentown” series. I read an interview online from Kimberly J. Brown that explains she never got a call to come back to the movies, even though she was more than willing. I peg it to the fact that Sara Paxton was then blossoming to be tailored for Disney Channel stardom, thus they kicked out the very adorable and quite talented Brown in exchange for the more streamlined and younger Sara Paxton. The difference is immensely noticeable as the character seems completely different from the original Marnie. Paxton is a good actress, but she’s not as charming or soft spoken as Brown was, thus there’s an element missing from this final film. Also, Debbie Reynolds is nowhere to be found, another sad fact considering she was a key element to the formation of Marnie. She was her Obi-Wan. Without her, Marnie is just another heroine.

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Brain Dead (2007)

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bdDirector Kevin S. Tenney, the mind behind eighties cult classics like “Night of the Demons” and “Witchboard” aims about as low to the ground as possible with a mini-budget horror comedy that’s neither scary nor funny. I guess it takes a special kind of mind to appreciate what Tenney has to offer audiences, but I just couldn’t find the fun in what was really just a series of misfires in an unfocused muddled movie that, in the end, is just a waste of time. I enjoy horror movies where you have to just go on auto pilot and not ask for logic, but “Brain Dead” asks almost too much from its audience.

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