The Woods (2006)

the-woods-01Director Lucky McKee’s second film is another twisted tale involving the sick minds of women, and delves into the psyches of girls both old and young, and bears shades of “Whispering Corridors” and “Suspiria.” With a cast of Patricia Clarkson, Bruce Campbell, and Agnes Bruckner, respectively, it’s a damn shame “The Woods” won’t get much attention beyond horror fans, and curious video renters with a two for one card. Because McKee is on his game here, and my expectations for “The Woods” were met above and beyond.

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Snakes on a Train (2006)

vlcsnap-00010For their credit, this is one of their more competent pieces of crap, and that’s because there’s considerably good gore, and an interesting take on ripping off “Snakes on a Plane.” But, if there’s any more of example of the inconsistency behind Asylum’s newest rip-off it’s the two characters at the beginning whom are illegal immigrants and can’t understand nor speak English to a Texas man sneaking them across the border, yet when they get on a train and meet a friend, they begin understanding and speaking perfect English.

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I’ll Always Know What You Did Last Summer (2006)

You figure in the world of cynical teenagers, technology, MTV, and the over saturation of slasher films, that the characters in this would be a little less horrified. Hell, they’re all very astonished at the story of a masked killer with a hook who comes after teenagers. And the song goes: a group of teenagers, a prank that goes awry, one year later, they re-unite, and the killing starts. Funny thing is, whether it’s Sarah Michelle Gellar, or some girl we’ve never seen before, the characters here are still very interchangeable. I hated the first two films, so I wasn’t keen on watching yet another sequel, and as I guessed it, “I’ll Always Know” is basically just routine.

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Pulse (2006)

12puls.600This is my review, I’m writing it right now, on my computer, on my black keyboard, currently I’m very sleepy, and I’m hoping to catch some sleep after I’ve finished my work, I’m writing this review of “Pulse”, a movie, that came out in theaters. Tedious? Yes. But that’s what sitting through “Pulse” was like, a remake that feels it needs to hold our hand and explain every little plot aspect to us every minute of its entire fucking run time. Tedious, no? Well, if you haven’t heard, we’re too stupid to understand a story, so Dimension has to guide us through every single character and sub-plot just because we can’t catch up.

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The Wanderer (2006)

wandererWe here are all basically a site for film, but our love for horror films is so evident and vocal, that we’re mostly sent horror films to review from directors—we didn’t plan it, but we’re happy for that fact. And nine times out of ten, the directors that send us their horror films are immensely talented. The talent behind “The Wanderer” is evident by the opening scenes of a young girl walking along the road, with the grainy direction never breaking from her.

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Interview with "In Memorium" Director Amanda Gusack

Many filmmakers send Cinema Crazed horror films, and working at Film Threat, I get to review many independent horror films that are either mediocre, or pure garbage, but most recently we were given the chance to view “In Memorium”, and we were optimistic that there are still directors out there who know how to get it right. “In Memorium” (Review) is one of the newest productions from director Amanda Gusack, an artist who seeks to grab audiences through story and psychological terror.

Gusask’s film is utterly simplistic, but so terrifying by relying on shadows and darkness to do the tricks that computers can not accomplish, “In Memorium” is a testament to how horror can still be accomplished without any computers of gimmicks, and we asked Ms. Gusack for an interview to shed some insight on her project, her history in and love for horror, and how a low budget resulted in one hell of a horror film.

If “In Memorium” (Trailer) is any indicator, Ms. Gusack has much more scares to share for us, and we’ll be waiting on edge for it. Warning though, there are some spoilers to the film’s surprise twist, so be cautious:

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Horrors of War (2006)

Directors Peter John Ross and John Whitney have a grasp on what horror is, and that’s a plus when you’re watching “Horrors of War”, a pretty intense piece of independent horror that will surely get your goat. If the bad-ass cover doesn’t sell you, I don’t know what will. The directors begin “Horrors of War” very much like “Saving Private Ryan” with a massive shoot-out between the Americans and Nazi soldiers, and then suddenly the American troop is attacked by a near invincible zombie. At that moment I found that “Horrors of War” wasn’t simply any horror film, and that’s why it won me over.

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