The Home Invasion Shorts block for the Brooklyn Horror Film Festival is a mixed bag this year with some gems and some missteps. In either case, there’s some genuine talent and interesting ideas on display for festival goers.
Tag Archives: Indie Film
The Toxic Avenger Collection Tox Set (1984-2000): 8-Disc Collector’s Edition Box Set [4K UHD/Blu-Ray]
After some really good individual Blu-Ray releases of his four part Toxie epic, Lloyd Kaufman and Troma usher in their classic series on the 4K UHD format. This should serve as no surprise as Lloyd Kaufman and Troma were the first to jump on to the DVD format, and use it as a basis of entering the new generation of movie lovers. This new box set described as “TA on 4K” includes all four “Toxie” adventure movies but on 4K and Blu-Ray, as well as a massive library of special features and vintage extras.
Nightmare Fuel Shorts Block [Brooklyn Horror Film Festival 2023]
This year’s the Brooklyn Horror Film Festival kicks off at the Nitehawk theater, and they premiered one of their trio of short film blocks. “Nightmare Fuel” is one of their absolute best with eight memorable horror entries from all over the world.
Unveiled (2023)
Director Ryan Graff’s horror short is about as microscopic a short you can get at only two minutes in length. That doesn’t lessen the impact it has on the viewer, though. Graff touches down on our core fears of being alone and perhaps noticing something out on the corner of our eye that simply doesn’t belong there.
Scare Attraction (2019)
It’s not often I see a horror movie with such a paper thin script that it blatantly pads the run time. And even when it pads the run time with filler, it still only amounts to a seventy two minute film. And it’s barely seventy two minutes when you don’t factor in the closing credits, and long opening credits. Filmed on a $150,000 budget, what I imagine happened was director/writer Steven M. Smith wanted to film a movie in the vein of “Saw.” He got a hold of a primo haunted house and decided to build his script around the house. That’s likely why the movie’s entire narrative begins and ends in this haunted house, and nothing ever feels organic.
Black Pumpkin (2018)
I could definitely picture re-watching Ryan McGonagle’s “Black Pumpkin” down the line. If anything it’s so bathed in Halloween ephemera that it’s a decent bit of background sounds for the respective Halloween geek. What holds it back though is that there seems to be so much behind the narrative that we’re not informed on, thus there feels like a big chunk of the intend narrative is either cut out or missing. That’s due to the fact that “Black Pumpkin” is technically a sequel to the 2016 movie “Bloody Bobby,” later-released in 2021 as “The Legend of Fall Creek.”
So, it’s a sequel—kind of. But not really…?
Pumpkins (2018)
Director Maria Lee Metheringham’s “Pumpkins” is a film that would have worked so much better as a short form segment in an anthology horror film. As a feature length film, it falls painfully flat. Everything that needs to be resolved about the narrative is literally resolved in the first half hour. Everything else is merely filler that transforms what could have been an interesting revenge tale in to another slasher film.