So far this is the third variation of the Luc Besson spy thriller masterpiece “La Femme Nikita,” and the more variations we see of it, the more the actual point of the premise is loss. We had “Point of No Return” a remake with Bridget Fonda I think I’d rather forget if only for being a piss poor adaptation of Besson’s film and for becoming a relatively obscure nineties fixture that put some nails in to Fonda’s career coffin. Then there was the basic cable spy thriller starring Peta Wilson that I really never bothered to watch mainly because it felt like a version of “Mission: Impossible,” and now there’s “Nikita.”