No other director was able to evoke such feelings of relentless doom and darkness like William Friedkin. “Cruising” is a bold movie from a director that no other studio would touch in this day and age. It’s a movie from a time that’s pretty ancient but also very relevant in modern times. Friedkin squares his lens on the unending darkness and bleak landscape that is New York City, side stepping any and all gloss in favor of unflinching realism. There’s so much to this New York City that’s still so familiar from seedy undergrounds, sub cultures, corrupt police, and a hopelessly broken justice system.
Tag Archives: LGBTQ
Y’a une étoile (2023) [Fantasia Film Festival 2023]
A documentary about queer life in Nova Scotia and New Brunswick as seen through the eyes of queer people and their loved ones interconnected with the songs of Angele Arsenault.
The Slumber Party (2023)
I imagine the board meeting at Disney Channel went “What if we did “The Hangover”–but G rated?” And what we got was “The Slumber Party.” Director Veronica Rodriguez lays all of her influences out for the audience from minute one, even involving a small group of friends that make a pact that results in a night that neither of them can recall. It’s almost verbatim sans any and all adult content. Not that that’s a bad thing in particular, as thankfully “The Slumber Party” is quite good. The fact it’s blatantly derivative of the aforementioned movie is outweighed by the charisma of its cast, and its lively energy.
Shortbus (2006) [LA&M Film Fetish Forum]
Director John Cameron Mitchell’s “Shortbus” is a movie I’d only ever heard about since its 2006 release but never actually sat down to watch. Nothing really prepared me for what he had to offer in terms of not only commenting on sexuality but on sex in general. “Shortbus” is unabashedly shocking in its presentation, offering up a movie about a group of New Yorkers, all of whom are seeking human connection. Some of them think that sex will grant them that connection, while some of them are just seeking emotional connection that may or may not allow them that desire with sex and various sexual acts.
Asteroid City (2023)
I confess that I’m just not a Wes Anderson fan. I’ve tried very hard to be over the years, but so many of his movies have left me cold, indifferent, and just downright bored. With “Asteroid City” it feels like Wes Anderson is appealing to his hardcore fans more than trying to create something that’s accessible to new fans. With his sense of framing and shooting scenes that feel like bad A.I. jpegs, and his multi-layered, somewhat confusing narrative, “Asteroid City” will score with folks that loved the likes of “The Grand Budapest Hotel” or “The Aquatic Life.” As for me, I entered it hopeful and left generally indifferent by the whole affair. Not even the obscenely talented ensemble cast could win me over, I’m disappointed to admit.
Barbie Nation: An Unauthorized Tour (1998)
The 25th Anniversary Director’s Cut will be available on Demand June 27th.
One thing you can’t accuse Susan Stern’s documentary “Barbie Nation” of being is biased. Through and through “Barbie Nation” is a biography about the creation of Barbie, but it’s also an objective one. It’s bizarre, it’s humorous, it’s self deprecating, and most of all it reveals the pros and cons of the Barbie fandom. Director Susan Stern is a lot more interested in taking a look at the more surreal side of the Barbie fandom. While “Barbie Nation” does explore the culmination and conception of the doll, “Barbie Nation” also looks at the small pockets of fandoms that have popped up.
Bad Girl Boogey (2023)
I give filmmaker Alice Maio Mackay a lot of credit for pressing forward with a slasher movie that’s based a lot around the LGBTQ community and a slasher that’s centered on murdering citizens of that community. There aren’t many horror movies that focus on the whole LGBTQ experience and on a slasher that’s centered on them and only them. While I do credit director and writer Alice Maio Mackay for trying to offer something different, “Bad Girl Boogey” excels in the directorial department but sorely needed work in the script department. The script is an aspect of “Bad Girl Boogey” that could have stood at least a few more rewrites and re-thinking.