Andrea Pallaoro’s “Monica” is a beautiful film. It’s a film filled with nuance and subtlety and takes the classic tale of someone returning to their old home and gives is a contemporary all too relevant twist. Trace Lysette is excellent as the titular Monica, a woman who is spending her every waking moment trying to survive and reach some sort of human connection that she craves. This stems from her past with her family, including her mother who disowned her at a young age prompting her to run away from home. For a movie so centered on what is a very important, and common obstacle for people of the LGBTQ community.
Tag Archives: LGBTQ
It’s a Wonderful Knife (2023)
It goes without saying that I like “It’s a Wonderful Life,” and I enjoy the whole twist of implanting the formula in to a horror setting. The fact is though that “It’s a Wonderful Knife” is so much more concerned with being a dark bittersweet Christmas fantasy, rather than diving head first in to the horror framework. For a movie that advertises itself as a slasher movie and whodunit, there’s a lot of surprisingly low stakes, and not much suspense at all. The writers frame the movie as a whodunit with the killers’ identities being revealed almost immediately, all the while the slashings all take a back seat for a majority of the movie.
Scare Package II: Rad Chad’s Revenge (2022)
It’s not exactly a secret that I just didn’t think much of Aaron Koontz’s 2019 horror comedy anthology “Scare Package.” Despite its best intentions and love for the genre, as a horror anthology I just wanted something new and just more. The horror anthology is a difficult platform for a lot of filmmakers, and “Scare Package II” doesn’t re-invent the wheel at any turn. As a horror comedy that spoofs “Saw” (and a slew of other horror movies) wholesale, it’s a solid film. As an anthology, the wrap around narrative does little to compliment the four mixed bag horror segments.
Dear David (2023)
In 2017, a weird ARG by the name of “Dear David” popped up online that became an instant viral sensation. It was the timeline of Buzzfeed cartoonist Adam Ellis who was documenting the supposed haunting of his apartment by a small disfigured boy. What began as a series of tweets and fuzzy pictures of unusual shapes hiding in the crevices of his one bedroom apartment slowly escalated in to horrifying taunts, and nightly visits as the apparent apparition became bolder and began to drive David to the brink of madness. “Dear David” is an okay adaptation of the original viral thread, and while it’s by no means a home run of a horror film, it works in rare instances as a tech based thriller.
Hellraiser (2022)
It takes a lot for me to invest in a new “Hellraiser” movie as they’ve all but quit trying to give us anything new or interesting. Thankfully director David Bruckner is up to the task of offering not just a new story but a new take on the Cenobites. Despite the troubling title (This “Hellraiser” is not so much a remake, or sequel, but kind of a reboot…?), David Bruckner’s “Hellraiser” film is really quite good. It’s dripping in suspense and terror, and finally brings some mystique to the Cenobites once again. The Cenobites are pure terror on two legs with “Hellraiser” and Bruckner doles out some twisted machinations of the Lament Configuration.
The CW’s “The Spencer Sisters” is a Promising Mystery
I’ve been looking forward to “The Spencer Sisters” for a long time. I’m a fan of Stacey Farber, and she’s been one of my celebrity crushes since “Degrassi.” Coming off of her fun stint on “Superman and Lois,” her new crime caper series is a breath of fresh air. In a TV space where a lot of series’ are so dark and grim, it’s fun to see a crime series a lot more lighter and less focused on death. A mix of “The Gilmore Girls” and “Nancy Drew,” “The Spencer Sisters” is an entertaining mystery drama series that teams an actual retired police officer with a mystery novelist. Both happen to be estranged mother and daughter.
Bottoms (2023)
It’s pretty disappointing going in to a movie expecting so much and leaving it felt like it could have been so much more. While many have sung the praises of Jennifer Seligman’s “Bottoms,” I am sad to have left it feeling generally indifferent. It has an interesting premise and has a good time taking its LGBTQ premise and fitting it right in to the myriad coming of age high school comedies, but so much about “Bottoms” felt so under developed and incomplete. Apart from its absolutely bizarre premise, “Bottoms” spends most of its run time trying to figure out what it wants to be.