This is “Scream” werewolf style, with red herrings, a hip cast, endless pop culture references, jump scares and a leading lady who can actually act being forced in to a situation. She even has a spazoid sidekick. Plus there’s that “Scream” style ending with everyone running back and forth and the “Maybe it’s him, maybe it’s her, but no it’s this person!” gimmick. But more characteristically, “Cursed” is a jumbled mess filled with moments that will surely have you repeatedly declaring “That would have been a great sequence”, and I was doing the same thing. Werewolves in the mirror room? Would have been great. Changing in to a werewolf in a public bathroom? Would have been great. Silencing barking neighborhood dogs with a howl? Could have been great. But alas, none of it really is.
Tag Archives: Mystery
My Little Eye (2002)
While the whole people on a reality show having the tables turned concept is recycled by now, “My Little Eye” has managed to master such a concept with a brilliant horror thriller that is just undeniably engrossing from start to finish. From the opening credits, we can already see the director playing games with the audience by filming the entire scroll of the Universal logo and the entire film in general in digital form resembling a web cast. We never once, throughout the entire movie, see a shot filmed with an actual movie camera, yet instead look only through the eyes of the cameras watching this group of people. Essentially, “My Little Eye” borders on the routine; different people brought together, they clash, there are your bumps and creaks, but eventually, as the movie goes on, it becomes increasingly intelligent in its searing undertones and social commentary.
Camp Slaughter (Camp Daze) (2005)
So, as I’ve mentioned a million times, I’m a hardcore slasher fan. Aside from being a hardcore horror fan, I also am a fan of the sub-genre, and director Alex Pucci and writer Draven Gonzalez really seem to know their stuff when it pertains to slashers, and that’s one reason why I was smiling throughout the entire film. The film opens as you would expect any slasher to. Dark creepy camp, a camp sing-along with a ridiculously catchy hook, and then death. And then more death. The ending though is very similar to the opening of “Friday the 13th”, hell even the score and opening title nearly make it almost identical, and my attention was caught. I loved the opening simply because director Pucci captures the mood very well and almost copies the original film to the tee.
The Princess Diaries 2: Royal Engagement (2004)
Was there a point of a sequel to a movie that was just decent after all? This has all the makings of the usual crappy Disney film. Black and white heroes and villains, goofy characters, determined heroes and heroines, and even dance numbers on occasion courtesy of Julie Andrews which would have been a very nice homage, had it not been brought down by the non-talents of Raven Simone. No one here comes out unscathed, every character is goofy, irritating, and mind-numbing. They even make Ms. Andrews looks overly goofy among this funny farm.
Scooby-Doo 2: Monsters Unleashed (2004)
Okay, readers, pop quiz from yours truly. You’re a Hollywood exec (sorry to insult you, but bear with me, I’m getting somewhere with this), and you help get a movie in to theaters that’s barely watchable, what do you do? Do you a) leave it alone to rot on shelves and move on? b) do you remake it? or c) do you give it a crappy sequel? If you chose A or B then you know nothing about Hollywood, because inevitably all this is is basically a crappy sequel to a crappy movie, the problem is while the first film was without a doubt crappy, it was mildly entertaining, but this, this is just brutal.
Harry Potter and The Prisoner of Azkaban (2004)
While “The Prisoner of Azkaban” was a critical success, I’ve discovered a lot of the hardcore fans disliked this movie a great deal. As for the financial success it’s pretty much a no-brainer; these films are made because there’s automatically a built-in audience, but as far as critical success, critics loved the work done by Alfonso Cuaron, and I’m one of them. While it may be true I’ve never read the book, I prefer looking at it from a perspective of an outsider and this is the best installment of the franchise so far. I liked the first film, was on the fence for the less than exciting sequel, but this happens to be the best I’ve seen for this so far. As for the “Harry Potter” franchise, I’ve never clicked with this or its less than–how shall I say–sane fans, but this is a great cinematic marvel.
American Gun (2002)
“American Gun” is two things. First, it’s a fascinating examination of how one event in your life, one simple mistake can change the course of events and alter your life forever. Second, it’s a fitting send-off to one of America’s great actors. James Coburn, the great James Coburn plays Martin Tillman, a retired man whose family is falling apart. The woman he fell in love with is all but a stranger to him, his daughter Penny is living with them to get away from her life, and her daughter has just run away. Martin is a good man, a man who is doing everything to keep his family together. Weekly he meets with his grand daughter secretly, sneaking her money and conversing with her as she confides with him, he attempts to communicate with his almost non-communicative wife, and he keeps Penny together, but one night she’s killed by the bullet of a gun, and the family shatters further.



