Slender Man (2018)

I think the time for Slender Man to become a modern horror icon has passed. He had his period after 2009 where he rose to popularity as a genuine boogey man so authentic people still believe there’s a basis of truth behind his creation. I think with horror moving at such a fast pace, we likely won’t see a good Slender Man movie at all. Which is a shame, because Slender Man could be fodder for how horror and technology has evolved, but now he’s just a fourth tier movie monster behind Jigsaw and Bughuul from “Sinister.”

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Puppet Master: The Littlest Reich (2018)

I’ve been a long suffering “Puppet Master” fan who has waited patiently for the movie series to go back to its original course and head in to the deeper look in to the puppet mythos. After many years of pseudo-sequels and really awful bargain basement follow ups, we get a reboot but one that’s not a reboot, apparently. S. Craig Zahler’s “Puppet Master” is a new direction for the series that is an alternate timeline series that will exist alongside the original movie series from Full Moon. So not only do we have a crappy original series that needs a course correction, but a brand new series that’s junk from the starting gates with a feeble attempt to be provocative and controversial.

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What Still Remains (2018)

I’ll admit again and again that post apocalypse movies are my sweet spot in regards to genre cinema. I eat movies about survival after the end of the world with a spoon and am hardly ever let down. “What Still Remains” as far as its concerned is fairly standard post apocalyptic fare. It by no means re-invents the wheel with its narrative and characters, but at times it doesn’t seem like director and writer Josh Mendoza is trying to. In the end I was more impressed by what Mendoza does with his lead heroine more than anything, and I’d love to see Ana return once again in another movie of this ilk.

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Summer of ’84 (2018)

The thing about RKSS’s latest eighties inspired genre offering is that it’ll poke all the right nostalgia cords with audiences. There’s so much eighties ephemera, that it’ll be difficult not to be charmed by it. But deep down beneath the “Cruel Summer” music cues, and giant camcorders beats the heart of a vicious, mean spirited and dark murder mystery that was often unpleasant and kind of dull. To admit that isn’t easy as I loved RKSS’s “Turbo Kid” and anxiously wanted to see what they would do with a murder mystery. But while you might get shades of “Stranger Things” here and there, the movie itself is pretty crappy.

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Fleuve Noir (2018) [Fantasia 2018]

A teenager goes missing and his mom seeks help from the police. A detective is put on the case and brings with him is own demons. As the search proves fruitless, the detective’s drinking problem becomes more of an issue as he faces off against a peculiar teacher and falls for the victim’s mother.

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Teen Titans Go! To the Movies (2018)

I’ve pretty much gotten over my immense hatred for the watered down reboot of the “Teen Titans” animated series. It’s here to stay, and I’m over it. So I approached the new big screen adventure with an open mind and rock bottom expectations. All things considered “Teen Titans Go! To the Movies” is a mixed bag. Sometimes it hits with some sharp, slick superhero movie and Hollywood satire and truly engaging protagonists. Other times it feels like the writers are running out the clock with goofy filler and distracting musical numbers.

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