Mean Creek (2004)

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If you could snap your fingers and make your school bully disappear, would you? That is the question posed here in this chilling tale of revenge called “Mean Creek”. Sam is beaten by the school bully George one time too many, and now Sam’s brother and his friends are intent on seeking revenge on George by luring him out to the river and playing a nasty prank on him, but things go horribly wrong. Much like “Deliverance” being a tale of paranoia and the mind becoming the worst enemy after a tragedy, “Mean Creek” is a younger more contemporary tale of an incident spawning a tragedy which has dire consequences.

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Walking Tall (2004)

Chris Vaughn is an ex military veteran who has just returned to his home town. Back after eight years, he suddenly gets a crash course in learning the fact that you can never go home again, and now he walks tall and carries a big stick. Dwayne Johnson jumps into the seat of action hero yet again this time around, first with the crappy “Scorpion King”, the next with the wicked “The Rundown” and now with this very good action ride known as “Walking Tall”. A remake of the cult classic “Walking Tall”, and based on the true story of the utterly heroic feats of sheriff Buford Pusser, a man who was elected to sheriff after promising to clean up crime, and did so, taking down big time crime syndicates and corruption in his hometown of Tennessee with his giant wooden club.

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Willard (2003)

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“Willard” 2003 has a very Tim Burton motif that just didn’t work and with characters that were over the top, and a love interest that’s under-used, it’s not hard to believe there’s barely a story to see here, especially one that is just comprised of Willard seeking revenge on his enemies through the mice. There’s nothing but filler and mild violence that hardly displays the carnage of the mice who are supposed to be the devil incarnate, the devil in Willard, but nothing is accomplished except a lot of tricks involving rats. This time around, there’s a loon playing a loon, in this case Crispin Glover who is delightfully over the top as Willard himself.

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The Grudge (2004)

2004_the_grudge_009The remake of “Ju-On” now called (sigh) “The Grudge” is the perfect example of faulty westernization in which the translated work suffers in the translation and completely misses the point of the original. The original had the surprise ending which makes you re-assert your thoughts on the characters, while the remake has the “You thought the monster was dead, but its not!” ending that I yawned at.

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Kill Bill: The Whole Bloody Affair (2003)

enlFK5cThis is Tarantino’s fourth film after a self imposed hiatus in filmmaking. Originally set to be one whole film, the studios made him split his long story into two films, possibly for franchising opportunities, but who knows? I watched “Kill Bill” with the wide-eyed enthusiasm of a child looking onto his first action film, and Tarantino’s first attempt at the action genre, and I was stunned. The “Kill Bill” franchise has become a hit, commercially, critically, and with Tarantino’s fiercely devoted fan base, who have stuck by the prolific director. Tarantino manages to set yet another precedent with “Kill Bill” which is simply a brilliant movie. I admit, I’m not a fan of Tarantino’s, he makes brilliant work and “Reservoir Dogs” and “Pulp Fiction” are excellent, but I wouldn’t call myself a fan. “Kill Bill Vol. 1” has me re-considering my thoughts, though.

This is the same old revenge flick we’ve seen in every Japanese martial arts film, and western, and Tarantino knows that, and that’s his mission, to make a film of his very own, his very own revenge flick paying tribute to his favorite films, his very own film that resembles a Japanese exploitation saga right down to the theme music, which is beautiful from funkadelic soul, to Japanese pop, to the theme song of “The Green Hornet” that really had me high. This movie is not only a thrill to watch but is also a good game you can play called “spot the reference”. There are dozens of movie references here, and hell, it could make a good drinking game. For every movie reference you spot you take a shot.

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Ju-on (2002)

tumblr_lllufztwtJ1qh2jlmo1_500“Ju-On” is a sheer test of terror, tension, and heightening suspense, and director Takashi Shimizu who also writes the script gives some inspiring direction that echoes Hitchcock’s directing style of silence and horror within everyday aspects. Though the haunted house movie has been done as far back as movies have been around, Shimizu does one hell of a job with the formula creating not a movie with ghosts, but demons. Starting off with a gritty and frightening sequence in which a man murders a woman, her cat, and proceeds to make his way up to a young boy, and we skip to present day where we watch victim after victim fall under the unrelenting spell of the demonic entities that live in the house.

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King of the Ants (2003)

key_art_king_of_the_antsDirector Stuart Gordon, the man who brought us the cult classic “Re-Animator” tells the tale of revenge in this low budget thriller about a young man named Sean Crawley, an out of work struggling man with no clue to his purpose or what he’s doing but takes any job he can get. After meeting a man named Duke in one of his jobs, Duke (George Wendt: Cheers) makes him a job offer. The details he gives him are vague and he seems to dance around what the job entails, but desperate, Sean agrees to meet with Duke’s boss Ray (Daniel Baldwin) a cocky self-assured rich man who tells Sean he wants a rival of his (Ron Livingston in a walk on role) followed. Sean agrees to tail his rival and proceeds to do so for a number of days until he’s approached by Ray to kill him and eliminate him as competition.

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