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Finding Dory (2016)

findingdoryI, like many other people, were wondering why there even needed to be a sequel to “Finding Nemo” that focused on Dory. Granted, Dory was a charming supporting character, and Ellen DeGeneres was great, but Dory always seemed like a character you could quickly get bored with. Surprisingly, director Andrew Stanton not only proves that Dory is worth focusing an entire film on, but that her story deserved to be told just as much as Marlin and Nemo’s did. Stanton and co. follow a very non–linear storyline for the sequel; “Finding Dory” goes back in time to follow the blue Tang we know as Dory, then cuts off as she meets Marlin, and begins a year later where she’s now living with Marlin and Nemo and acting as Nemo’s surrogate guardian alongside Marlin.

Dory, much like Nemo, was born with just as much of a disadvantage. While “Finding Nemo” conveyed the trials, tribulations, and worries of raising a child with a physical disability, “Finding Dory” uses Dory’s short term memory loss as a metaphor for the trials, tribulations, and worries that come with raising a child with a mental illness or mental disability. Raising Dory isn’t so much a burden for her parents Jenny and Charlie, as they approach her lack of memory with as much patience and consideration as possible. They’re well meaning and lovely parents that do everything in their power to help Dory channel her disability in to an advantage all while turning it in to a fun game.

But they can only do so much, since they don’t really seem to accept that Dory’s condition is permanent and may be a part of who she is for the rest of her life. Plus, as she ages, the world is looking more and more appealing to her, so it soon becomes a race for her parents to make her handicapable before their worst fears of the ocean swallowing her up come to fruition. Sadly, Dory does get lost, and her short term memory becomes a constant pitfall in her efforts to reunite with her parents. Before long, she’s forgotten that she’s even lost, and years have passed on. Thus she meets her fate with Marlin and Nemo, which gives her a newfound perspective and the confidence that she can find her parents once again. “Finding Dory” opens up the world we saw in “Finding Nemo” by adding a new slew of fun and lovable characters.

I especially loved Hank the Septopus, Destiny a near sighted Whale Shark, and a pair of Walrus’ comically protective of their perching rock. “Finding Dory” isn’t just a callback to the original film, but the narrative literally centers on Dory trying to find her memories and her family which ultimately represents herself. DeGeneres is even better here than in the first film as Dory, as she injects a lot of complexity and true emotions in the character and her journey to find her family which she is convinced will help improve her memory in the long run. “Finding Dory” is fantastic as director Andrew Stanton and co. give Dory brand new obstacles and dimensions, and comprise a funny, exciting, and incredibly heartbreaking tale of overcoming a handicap and leaning on family when the world is at its darkest.

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Dirty Grandpa (2016)

DirtyGrandpaI would have loved to be a fly on the wall during the pitch meeting with DeNiro for “Dirty Grandpa”: “And so Efron comes to pick you up, and you’re lying there on your recliner masturbating in the nude to interracial porn! He screams in horror while you’re ejaculating, but you’re so cool about it, that you barely acknowledge the awkwardness. The kids will love it!” I appreciate that Robert DeNiro seems to be actively working against being typecast as some wise old grandpa or magical elderly sage.

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Ferris Bueller’s Day Off (1986)

FerrisBuellerI think one of the main reasons why “Ferris Bueller’s Day Off” has become such a classic, even thirty years later, is that Ferris Bueller is that character we wish we could be. Many of us have always dreamed of ignoring life’s responsibilities and obligations if only for one day, and Ferris has the guts to act on his desire. This is a guy who is working hard against becoming just another doting workaday suburbanite like his parents. And somewhere down the road, he might even become his best friend Cameron, a guy ruled by his fear and insecurity.

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Night Calls: The Movie (1997)

nightcalls-themovieBefore the internet and skyping became the norm, Playboy marketed on the phone sex craze of the decade by launching one of the most popular adult talk shows of the decade. “Night Calls” was, for a long time, a mainstay on the Playboy Channel in America and targeted a lot of the fantasies of their callers. Hosts Doria Rone and Juli Ashton were very ahead of their time, as broadcasting live and taking requests from various callers has become routine entertainment for literally every adult website on the internet these days.

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Five Great Films Set Over The Course of a Night

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One of my current favorite directors Richard Linklater has currently released his spiritual sequel to his hit 1993 film “Dazed and Confused” entitled “Everybody Wants Some!!”, another drama comedy about a group of young people trying to survive the seventies. After his heavy and meaningful “Boyhood,” it’s nice to see Linklater coming back to a breezier departure that promises to be just as raucous and funny as its predecessor “Dazed and Confused.” Since I’m excited for “Everybody Wants Some!!” and consider “Dazed and Confused” a favorite of mine, I thought I’d list five great films that unfold over the course of a single night much like “Dazed and Confused” does. What are some of your favorites?

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Dazed and Confused (1993)

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Richard Linklater is a master at handling multiple storylines as well as various characters, allowing them to gel in to one very cohesive cinematic experience. Other directors would have a hard tie balancing out so many storylines, but “Dazed and Confused” manages to not only unfold in to a fun narrative, but also builds a myriad fascinating characters you’ll either love or hate by the time “Dazed and Confused” is over. A virtual successor to “American Graffiti,” this time Linklater follows a slew of characters over the course of one hectic night in the late seventies, as summer begins and school finally lets out. Director Linklater doesn’t have a singular thread bonding his characters, save for his ensemble’s core desire to find one last adventure before the summer comes around demanding some new form of responsibility outside of school.

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Pee Wee’s Big Holiday (2016)

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The good and bad news is that the big screen return of Pee Wee Herman has nothing to do with his groundbreaking kids show. It’s yet another phantasmagorical road trip movie that’s nearly impossible to pin down. It’s meta, satirical, tongue in cheek, and embraces the absurdity and absolute nonsensical comedy from Pee Wee Herman. Sometimes it misses and often times it hits. But only if you’re one of the people familiar with Pee Wee Herman’s brand of unique comedy. “Pee Wee’s Big Holiday” is a subtle message to the audience that Paul Reubens is trying to put his character in to new realms and situations. With Pee Wee being in a rut, Reubens tries his hardest to introduce the character to unusual scenarios and it works as a spiritual successor to “Pee Wee’s Big Adventure.”

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