How do you ruin potential for a great adaptation of the cult franchise “Wing Commander” in one fell swoop? You cast Freddie Prinze Jr. of course! The leading man with the charisma and talent of a mop stick leads the charge in this science fiction adaptation of the hit video game series, while Matthew Lillard is his spaz sidekick who screeches like a coked up C3P0 during battle, in spite of the fact that we’re told these are experienced soldiers.
Tag Archives: Romance
Man of Steel (2013)
Much in the way Bryan Singer practiced with “Superman Returns,” director Zack Snyder displays amazing restraint and subtlety with his version of Superman. Which is surprising considering Zack Snyder is hardly ever about subtlety. This is the man behind the loud and sophomoric “Sucker Punch” and “Dawn of the Dead” after all. But with “Watchmen,” Snyder proved he could disassemble the superhero mythology and completely lands his masterpiece with his iteration of Superman. “Man of Steel” garners a ton of heart and soul, with a tale of Clark Kent’s journey for a sense of purpose and belonging in a home world that’s not his own.
Jack the Giant Slayer (Blu-ray/DVD + UltraViolet Digital Copy) (2013)
I’m always of the opinion that there really isn’t anything new that we can do with classic fairytales, anymore. We can twist them, and reboot them, but in the end they’re really not going to feel fresh or inventive. It’s like that episode of “The Simpsons” where Marge couldn’t afford a new dress for her country club meetings, so she just kept re-designing the same dress over and over. “Jack the Giant Slayer” is exactly like that. Sure, it posits the idea that we’re being given a new tale, but in reality it’s just another take on Jack and the Beanstalk. But this ain’t yo daddy’s Jack and the Beanstalk! No sir! This is the true story of Jack and the Giants before the actual tale was invented.
Warm Bodies (2013)
In the universe of “Warm Bodies,” zombification is a metaphor for social inadequacy. Being a zombie makes it impossible for you to talk and socialize with anyone. The rare conversations a zombie does have, is nothing but grunts and a brief dismissal of the company kept. The really bad introverts are terribly animated skeletons with a thing for self-mutilation. This is kind of a PSA for social introverts but with monsters that you can call zombies. I guess they’re zombies. They’re undead, and they eat humans for sustenance. But I just have a hard time trying to figure out which audience “Warm Bodies” is trying to pander to, if anything. It’s definitely a movie for teenagers. The movie doesn’t so much make zombification a disease, as it is a deadly form of social anxiety.
The Comic Bucket List #1: Superman for All Seasons
“The Comic Bucket List” is a limited column where we review 25 comic books and graphic novels we’ve been meaning to read for years. We discover if they were worth waiting for, or if they never quite lived up to the hype they promised.
SUPERMAN FOR ALL SEASONS
1998
Jeph Loeb, Tim Sales
Big Trouble in Little China (1986)
John Carpenter takes Clint Eastwood from “Any Which Way But Loose” and drops him smack dab in to the middle of a chopsocky film. The results are not only ingenious, but entertaining, funny, and the movie many movie geeks adore known as “Big Trouble in Little China.” One of the many fish out of water films about inadvertent heroes stumbling in to an extraordinary situation, Carpenter turns to his veteran collaborator Kurt Russell to lead the charge. Even for a film made in 1986, “Big Trouble” is such a resonant and inherently clever film that it’s barely shown its age at all.
Director Carpenter inherently avoids any and all clues that we’re in the middle of the eighties, and brings us in to a time where we’re shifting in between a seventies trucker era, and mystical China. Kurt Russell has a blast the infinitely charming and dashing All American hero Jack Burton. He’s a drifter and lone wolf who happens to find a purpose in the middle of his humdrum life with his big rigs. When his best friend’s wife is kidnapped by a local Chinese gang for the intent of being sold to sex slavery, Jack and friend Wang intend to come to her rescue. In the midst of their mission, they find themselves in a tug of war between two Chinese gangs that have been battling for decades.
“Big Trouble” is never content with just being an action film, and reaches in to the depths of fantasy to deliver one hell of a surreal picture. Carpenter introduces the three magical warriors known as “The Three Storms,” all of whom are servants of the dreaded sorcerer Lo Pan, an evil snake of a man who wields his magic with long sharp nails and a Charlie Chan mustache. With the sacrifice of a beautiful green eyed girl, Lo Pan plans to break an ancient curse and make Wang’s hostage wife his new mate. Russell approaches the role in his usual charisma and charm, as a man who seems awestruck by the world he’s in, even when he’s in extreme danger.
But while Russell takes center stage, he’s more a spectator while director Carpenter allows the seasoned cast of Asian actors to stage the battle of good and evil, and the fight for the souls of their women. James Hong is fantastic as Lo Pan and Disappears in to the serpentine make up, while Dennis Dun and Victor Wong offer stand out performances as the heroic men who battle Lo Pan and his monsters. Much of the special effects still hold up well, since they’re not the primary focus of the film. Much of “Big Trouble” gives way to wonderful martial arts scenes and great choreography, paired with the sensibility of a classic movie serial that never takes itself seriously. “Big Trouble” is one of the many daring and wonky Carpenter films, and one of his few dark comedies that will provide action fans a good laugh, and fun action sequences alike.
It’s a shame we never saw a sequel with the continuing adventures of Jack Burton, but “Big Trouble” works as a stand alone classic that features John Carpenter at his best.
Superman Returns (2006)
Countdown to “Man of Steel”!
I’m still not too sure what Warner was expecting with “Superman Returns.” I mean it made just as much as “Batman Begins” in its theatrical run, and director Bryan Singer does the best to connect this reboot to the successful Richard Donner films, so what is it that makes this film the bane of the Superman movie verse? Very few people understand Superman, nor do they really understand why he’s such an amazing character. I’ve experienced no end of people complaining that “Superman Returns” didn’t feature Superman punching things and fighting bad guys. In reality, that’s been the downfall of the character.
He’s become the lug head of the DC Universe. He’s become the bouncer in the club who punches people and never thinks ahead of time. Director Bryan Singer understood that Superman faced an immense dilemma and above all else, “Superman Returns” is Superman’s battle to become relevant again. Superman is not only about fighting intergalactic bad guys, and punching buildings. Superman, above all else, cherishes life. He is tasked with preserving it thanks to the amazing abilities he possesses in his genetic code. He could very well dominate the world if he wanted to, but he instead uses his super breath to snuff out a fire, and implores his laser beam eyes to blast away shards of glass that threaten to kill innocent bystanders on the ground below him.
Superman is a guardian angel first, and a fighter second. If the film has its fault, it’s that director Bryan Singer paints too much from the Palette of Richard Donner. He wants his film to be a Richard Donner entry, thus he takes the opportunity to recall many of the famous lines and scenes from Donner’s films. The film also is much too long in the tooth, with a heavy emphasis on Parker Posey’s character for some inexplicable reason. But like every comic book movie ever made, you have to forgive some elements, and enjoy the ride as a whole. “Superman Returns” is not so much an adventure, as it is a character’s journey back in to the world. Superman took his very first journey of selfishness, seeking his home world and looking for perhaps a family he always dreamed of having.
He never realized he belonged on Earth the whole time. Now that he’s returned, he realizes that Earth not only moved on without him, but that they no longer need a Superman. It’s the classic adage “You can’t go home again.” Ma Kent is dating a new man, Jimmy Olsen is a bolder photographer, Lex Luthor is still a slimy worm trying to build a new empire for himself, and Lois Lane has moved on more than Clark can comprehend. She is now dating the nephew of Perry White, and has a son. To make matters worse, Richard White (as played by James Marsden) isn’t just a good man, but he’s a noble one. He treats Lois with patience and love, he’s become the surrogate father to Lois’ son, and he is a kind individual. If given powers, he’d be his own Superman. He even has his own means of flight, as an aspiring pilot.
So Superman (as well as the writers) have to tip toe and figure out if Lois really even wants Superman anymore. Superman not only has to battle Lex Luthor once again, but he has to earn his way in to the minds and hearts of Metropolis once again. In doing so, he shows that there’s always a need for a protector, even if they’re not always a necessity. Brandon Routh does a fantastic job as Clark Kent and Superman, giving way to the social awkwardness, and alienation that Clark is accustomed to. Routh has the look and dashing bravado of Superman, and really grasps the role with his charisma and charm. Kate Bosworth is also a fine Lois Lane with a soft beauty and grace that makes her this bolder mother figure, while James Marsden’s portrayal of Richard White is dignified and likable.
We want Superman to win Lois back, but we also don’t want Richard to walk away a loser. Kevin Spacey also has a blast in the role of Luthor, giving him a demented bent that makes him menacing and deadly. “Superman Returns” plants the seeds for a future storyline when we slowly realize who Lois’ son’s father is, and allowed to continue further, I think Singer could have developed a fine narrative. It’s a shame that “Superman Returns” is given the brunt of the blame for stalling of the Superman movie-verse because, in spite of its flaws, it’s a wonderful and beautiful look at Superman’s re-emergence in to a darker world in need of hope.