Lucy Kelson (Sandra Bullock: Speed, Miss Congenality) is an out of work attorney who stages protests on her free time as a liberal. She approaches aristocrat George Wade (Hugh Grant: About a Boy, Love Actually) begging him not to tear down a local community center. He becomes instantly impressed with her and hires her as his assistant. She agrees reluctantly but has no idea what she’s in for. Soon the two begin to realize that their partnership has gone beyond the workplace and realize they may have feelings for one another. There have been hundreds of romantic comedies released over the years from the excellent (An Affair to Remember, Annie Hall, Barefoot in the Pak), to the average (Wedding Planner), to the utterly awful (Maid in Manhattan), romantic comedies are a staple of cinema that will never go away.
Tag Archives: Romance
The League of Extraordinary Gentlemen (2003)
Loosely based on the critically acclaimed comic book from critically acclaimed author Alan Moore, “LXG” tells the tale of Allan Quartmain, an aging adventurer in 1899 who is called upon by a mysterious man named M who enlists him and six other super-powered beings whose powers are parallel to legendry literary characters who must fight a warlord called “The Phantom” who plans to take over the world. Alan Moore presents an idea and concept so ingenious and brilliant, I was stunned upon hearing of it. Take some of the most famous heroes and villains in literary history and turn them into superheroes. What turns up as the end result is a guilty pleasure that kept me entertained all the way through.
The Matrix Reloaded (2003)
I thought “The Matrix” was great and very innovative in its own right. The basic element from the original “Matrix” film is present in this; there’s your pretty dazzling opener with Trinity doing what she does best and we enter into the great story that serves a heaping help full for any “Matrix” fan to feast on. The Wachowski brothers manage to surprise and amaze with some stunning machine special effects and great scenes that truly dazzle the mind. The opening where we’re introduced to Zion is truly magnificent as we’re first shown the exterior’s of the almost too lifelike Zion guard robots then shown the entire city. Zion is a basic hybrid of modern machinery and old age homes that live among each other in a community.
Drumline (2002)
What “Drumline” does is give the American audience a perspective into something entirely fresh and original to watch while focusing on a relatively obscure practice called band and succeeds in every way shape and form possible. Every character in the film takes this practice seriously and treats it as if it’s life or death, and we can see why. It’s evident that there’s no glamorizing or watering down of any kind in the film, what we’re watching is in fact reality with the facade of Hollywood and it pulled me in right from the opener. It’s a shame films of this ilk don’t make it into theaters often.
Poison (2000)
The story in the film and the script is a hefty mess and bears some incredibly wide plot holes that ruin the efficacy of the film. For example, It’s never fully or clearly explained as to why Traci does the things she does to get her mother’s attention. There’s some insinuation that she resents her, or maybe she’s psychotic, but there’s no verification. Even in the end which is somewhat blurry, we’re never truly sure as to her motives with killing all the people during the movie. Her actions during the film perceive her character to be more spoiled than psychotic and threatening, so in the end it remains hazy. Also, the climax of the film seems so rushed and tacked on it begins to feel awkward on the closing credits.
Punch-Drunk Love (2002)
I sat on my couch at the end of the film, amazed at what I’d just seen… Adam Sandler can act. I thought to myself: Adam Sandler can act?! After watching him in comedic duds like “Water Boy”, “Billy Madison”, and one of his most recent “Mr. Deeds”, I was astonished to discover this man may actually have the ability to become one of the best actors in the biz, if only he’d stick to bittersweet dramedies like this. Only two of his films are watchable: “Happy Gilmore”, and “Big Daddy”, two movies which show Sandler’s knack for comedy and quality, two films that show the child that Sandler is so famous for invoking. “Punch Drunk Love” has prompted me to wonder if I was wrong all along about him. Sure, most of his movies are terrible, but “Punch Drunk Love” begs to differ and makes people think that maybe he’s just as much as star as everyone says he is.
In the Bedroom (2001)
Matt Fowler (Tom Wilkinson) is a doctor in Maine whose son Frank (Nick Stahl) is home for the summer. While home, he falls for a single mother Natalie (Marisa Tomei). While the two have a lurid affair, the parents don’t approve, especially mom Ruth (Sissy Spacek). But soon a tragedy ensues that will test each of their own spirit and breaking points. The movie has a very calm and unperturbed environment to its story telling devices and never gives the feel of a thriller because it stays grounded down into reality. There’s a feeling of unrest during the film, a feeling almost like a bubble that could be burst in any moment during the story.