Will is a self-centered rich bachelor who enjoys the fine art of meeting women and basically tends to himself. Marcus (Nicholas Hault) is a young boy who lives with his hippie Mother and is bullied non-stop at school. In a chance meeting, Will and Marcus meet, and after Marcus’ mother attempts suicide, Marcus begins clinging to Will, asking for his advice and going to his house. Will, basically frustrated, begins to take a liking to the kid, and begins wondering if there is more to life than watching television and trying to get laid. This movie garnered rave reviews, so when that occurs, I just have to see what I’m missing for myself.
Tag Archives: Romance
Analyze That (2002)
“Analyze This” regardless of its critical acclaim has to be one of the most overrated unfunny movies to come out in years. Despite its large cast and top-notch direction and writing team, “Analyze That” is no exception from its predecessor. It’s comprised of two elements: a sequel that is unnecessary, and a sequel that should have never been made. This sequel is composed of nearly every modern sequel’s downfall: it doesn’t provide new material to an original property, instead it recycles it as “Scream 2” did, and as “Jungle Book 2” did. So, watching this is like watching the first except the plot is different. I’m very disappointed in Robert DeNiro for even agreeing to star in a film of this magnitude. Lately, the legend has failed to rake in a box-office or critically acclaimed hit, and this film brings him down a notch. He proceeds in this film in his character almost as if he know he’s too good for this film, and he is.
Adam Sandler's Eight Crazy Nights (2002)
What if “It’s a Wonderful Life” was directed by a mental patient with severe brain damage? What if it was written by a sociopath? This is the questions asked during the viewing of a potentially annoying and incredible unnecessary film called “Eight Crazy Nights”, a film supposedly created as a Holiday Chanukah film yet barely even covers the topic of Chanukah, the meaning of the word, or the holiday. Adam Sandler is disappointing; here is a guy who has so much money and resources yet piddles it away on these irrelevant and crude films that try so hard to be funny but end up causing people to roll their eyes so much it gives them a migraine.
Two Weeks Notice (2002)
Lucy Kelson (Sandra Bullock: Speed, Miss Congenality) is an out of work attorney who stages protests on her free time as a liberal. She approaches aristocrat George Wade (Hugh Grant: About a Boy, Love Actually) begging him not to tear down a local community center. He becomes instantly impressed with her and hires her as his assistant. She agrees reluctantly but has no idea what she’s in for. Soon the two begin to realize that their partnership has gone beyond the workplace and realize they may have feelings for one another. There have been hundreds of romantic comedies released over the years from the excellent (An Affair to Remember, Annie Hall, Barefoot in the Pak), to the average (Wedding Planner), to the utterly awful (Maid in Manhattan), romantic comedies are a staple of cinema that will never go away.
The League of Extraordinary Gentlemen (2003)
Loosely based on the critically acclaimed comic book from critically acclaimed author Alan Moore, “LXG” tells the tale of Allan Quartmain, an aging adventurer in 1899 who is called upon by a mysterious man named M who enlists him and six other super-powered beings whose powers are parallel to legendry literary characters who must fight a warlord called “The Phantom” who plans to take over the world. Alan Moore presents an idea and concept so ingenious and brilliant, I was stunned upon hearing of it. Take some of the most famous heroes and villains in literary history and turn them into superheroes. What turns up as the end result is a guilty pleasure that kept me entertained all the way through.
The Matrix Reloaded (2003)
I thought “The Matrix” was great and very innovative in its own right. The basic element from the original “Matrix” film is present in this; there’s your pretty dazzling opener with Trinity doing what she does best and we enter into the great story that serves a heaping help full for any “Matrix” fan to feast on. The Wachowski brothers manage to surprise and amaze with some stunning machine special effects and great scenes that truly dazzle the mind. The opening where we’re introduced to Zion is truly magnificent as we’re first shown the exterior’s of the almost too lifelike Zion guard robots then shown the entire city. Zion is a basic hybrid of modern machinery and old age homes that live among each other in a community.
Drumline (2002)
What “Drumline” does is give the American audience a perspective into something entirely fresh and original to watch while focusing on a relatively obscure practice called band and succeeds in every way shape and form possible. Every character in the film takes this practice seriously and treats it as if it’s life or death, and we can see why. It’s evident that there’s no glamorizing or watering down of any kind in the film, what we’re watching is in fact reality with the facade of Hollywood and it pulled me in right from the opener. It’s a shame films of this ilk don’t make it into theaters often.