I’m not entirely sure why, but I hated “Killer Klowns” when I was a kid. And I say this as someone who loved “Spaced Invaders.” That said, watching it years later, it’s shocking how great “Killer Klowns” is as much as it is creative. You can tell “Killer Klowns” is working on a tight budget, but it’s also obviously spending every single penny meticulously to work toward the movie’s benefit. While the film isn’t perfect, “Killer Klowns” earns its cult classic status as a very unique horror comedy. It’s creative, it’s funny, it’s delightfully gruesome and you have to love that theme song.
Tag Archives: Science Fiction
Chimera (2018) [Phoenix Film Festival 2018]
The Five Best Max Fleischer Superman Shorts
“Up in the sky, look! It’s a bird. It’s a plane. It’s Superman! Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound, this amazing stranger from the planet Krypton, The Man of Steel: Superman! Empowered with X-ray vision, possessing remarkable physical strength, Superman fights a never-ending battle for truth and justice, disguised as a mild-mannered newspaper reporter, Clark Kent.”
Superman vs. The Giant Robot from Outer Space
John Jordan’s short animated experiment is a film that would have pretty much benefited from a longer format, some original voice work, and perhaps better dialog in the end, but for what he serves up in the form of original animation and the public domain cartoons, “Superman vs. The Giant Robot from Outer Space” is a great short for the Super Geeks out there.
Deep Blue Sea 2 (2018) [Blu-Ray/DVD/Digital]
So what do you do when you’re making a killer Shark movie but don’t have the budget for a lot of killer shark carnage? You fill the movie up with a lot of characters talking, and walking around, and talking, and explaining and arguing and pretending there’s some kind of conflict here. Say what you want about “Deep Blue Sea” but it had genuine killer shark carnage that, while silly, still featured killer sharks. “Deep Blue Sea 2,” however, does everything in its power to avoid showing killer sharks–even though they’re the basis for the entire movie.
Wildling (2018)
A Quiet Place (2018)
It’s surprising to see such a terrific horror debut from John Krasinski, a man who I’ve never been much of a fan of. “A Quiet Place” has just about converted me in to a fan, as he manages to deliver a very challenging genre film that relies a lot on the weight of the performances from the cast, rather than explosions, shocks, and cheap thrills. Krasinski’s horror film is poetic in its way and explores how sound means a lot in the medium of cinematic storytelling. Sound, music, it counts for almost everything and can either keep the audience baited for ninety minutes or lose them in the first five.


