There’s Something Wrong With The Children (2023)

It’s not often anymore that we get horror movies about the horrors of domesticity. Films like “Rosemary’s Baby” and “Stepford Wives” turned the idea of domestic bliss in to an absolute nightmare, and “There’s Something Wrong with the Children” carries on that fine tradition. It’s a very creepy evil children flick that also works as a deeply embedded allegory for impending parenthood that sparks a slick sense of humor about itself. Director Roxanne Benjamin’s film is another one of the more intelligent horror entries of 2023 so far, as it uses the idea of impending parenthood as an absolute waking nightmare.

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Thor: Love and Thunder (2022)

One of the things I loved about “Love and Thunder” is that Taika Waititi holds true to the message that Stan Lee held for his heroes. Anyone can be Spider-Man. Anyone can be an X-Men, and in “Love and Thunder” anyone can be a mythic hero. While it does in a sense take away value from the concept of Mjölnir, the concept behind “Love and Thunder” is a wholesome one, one that celebrates its audience of children and inspires heroism in the vein of virtue and morality and less on revenge or malice.

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Smile (2022)

I think we can all agree that the marketing for Parker Finn’s “Smile” has been pretty genius. It’s a movie that has built enough clout to attract an audience that’s been big enough to continue a large swell of even more horror films coming in to theaters. It’s good because now we can start to see more movies as immensely disturbing as “Smile,” one hopes. While it’s often compared to “It Follows,” I’d say “Smile” is more in the vein of “The Babadook.”

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