A young woman looking for her roots gets a call that makes her want to go to a small rural town. With her boyfriend, they soon find out that the invitation may not have been for what they expected.
Tag Archives: Supernatural
Row 19 (2021)
A woman who survived a plane crash as a child is on a plane again with her daughter when the other passengers start dying one by one.
Shepherd (2021)
A recently widowed man looking for solace and purpose takes a post as a shepherd in the countryside. There he comes into contact with supernatural entities and has peculiar dreams.
Night’s End (2022) [Female Filmmaker Friday]
Geno Walker as Ken – Night’s End – Photo Credit: Abbi Chase/Shudder
A shut-in who has been living alone and looking for work with stress at high level believes he may have a spirit in his apartment. After seeking help, things go from bad to worse.
You Are Not My Mother (2021) [Women in Horror Month 2022]
Following the disappearance and return of her mother, a teenager decides she needs to know more about her mother and her family by extension. As she searches for information and herself, she also is tormented at school where other girls believe her family maybe more than she thinks.
The Short Films of Timothy Troy
Having previously reviewed his short film Abi and having been send Venus, I figured it was past due for a watch of every short film I could get my eyes on from Timothy Troy. So, without further ado, here are a handful of them and a link where to find them below.
Slapface (2022)
I’ve been following Jeremiah Kipp’s indie film career for a while now and it was only a matter of time before he managed to explode. “Slapface” is the adaptation of his great 2017 short film that expands on the premise and circumstances involving our main characters. While the movie is primarily a horror film with a folklore bent, it’s also a very stark, grim, and richly developed analyses of grief, loss, toxic masculinity, and the fall out that can stem from psychological abuse. It’s very much in the wheelhouse of “The Babadook” and leaves just as much of a mark when the credits roll.