Colin Minihan’s “It Stains the Sand Red” is a movie that only has about an hour’s worth of story for its premise. Don’t get me wrong, it’s a neat and interesting idea for a zombie movie, but one that runs out of steam by the time the second act is introduced. You can literally see the wheels falling off mid-way, and what should have been the end, feels a lot like a ton of filler that belongs to another movie altogether. As with all zombie movies from indie filmmakers, there are a ton of George Romero nods and winks, and they’re a mixed bag. Some of them are neat, like the opening of the film, which is an homage to the opening of “Night,” while some induce eye rolls a la the newspaper with the headline “The Dead Walk” dangling from a police vehicle.
Tag Archives: Survival
Better Watch Out (2017) [Fantasia International Film Festival 2017]
Chris Peckover’s “Better Watch Out” is absolutely nothing like I thought it’d be. That might be a criticism by some when the movie makes its way to VOD this year, but walking in to it blind, I was stunned to find something different but still rather entertaining. “Better Watch Out” just might end up being a Christmas classic somewhere down the road, as it’s a pitch black comedy, and unusual horror thriller that derives great pleasure in its sheer sadism. I’m not usually a fan of horror movies filled with such a mean streak, but “Better Watch Out” is shockingly clever, and very slick in how it builds up its villain slowly and makes the menace in the movie more and more terrifying.
Cold Hell (Die Hölle) (2017) [Fantasia International Film Festival 2017]
A female cab-driver in Vienna witnesses the aftermath of her neighbors brutal murder. As she tries to escape the killer and protect her loved ones, one unlikely person comes to her aid against his own reservations.
Dead Shack (2017) [Fantasia International Film Festival 2017]
For folks experiencing zombie fatigue, “Dead Shack” might be the small movie that cures your unrest for the sub-genre. Director-writer Peter Ricq and co-writers Philippe Ivanusic, Davila LeBlanc twist conventions rather well while also introducing a dashing but complex horror villain to boot. “Dead Shack” is a fun and very funny mix of genres that has a good time implementing the zombie sub-genre without bogging the entire movie down in typical cinematic tropes and heavy handed overtones. The zombies here are more devious plot devices that allow for a ton of gore and splatter, and director Ricq never shies away from the gooey and red stuff.
Mohawk (2017) [Fantasia International Film Festival 2017]
In 1814 North-Eastern United States, a Mohawk woman and her two lovers unleash their fury on a group of militia men who have trespassed onto Mohawk land and want them dead.
Death Line (Raw Meat) (1972) [Fantasia International Film Festival 2017]
A precursor to “The Texas Chainsaw Massacre,” Gary Sherman’s European based cannibal thriller is a ghoulish and often eerie bit of horror about a monster lurking within the tubes of London. Set amidst a busy and unsuspecting city, director Gary Sherman makes amazing use of the abandoned tunnels and corridors of London’s underground between Russell Square and Holborn. Sherman concocts a veritable lair for a clan of Victorian cannibals, the last of which is struggling to keep his pregnant wife alive. Sherman is great about setting the tone for his grisly little tale, constantly showing the radical worlds that lurk above and beneath local London subways.
12 Feet Deep: Trapped Sisters (2017)
At eighty five minutes in length, “12 Feet Deep” has a dilemma it can never seem to get past. It sets up a premise that is only able to keep up momentum for forty minutes. The next forty five is very reliant on a ham fisted and hackneyed plot device. What the writers pose as a crisis of conscience and a woman reflecting on someone similar to herself instead feels like a desperate means of stretching a movie that could easily have been under an hour without the goofy filler. The movie could have easily shrunk down to twenty five minutes if our characters ever acted rationally. “12 Feet Deep” is another attempt at a survival thriller where characters are marooned in a very monotonous spot and have no means of escaping. Rather than being a white knuckle fight like “Frozen,” it instead becomes about people just making things more difficult than they have to be.