Richard Linklater is a master at handling multiple storylines as well as various characters, allowing them to gel in to one very cohesive cinematic experience. Other directors would have a hard tie balancing out so many storylines, but “Dazed and Confused” manages to not only unfold in to a fun narrative, but also builds a myriad fascinating characters you’ll either love or hate by the time “Dazed and Confused” is over. A virtual successor to “American Graffiti,” this time Linklater follows a slew of characters over the course of one hectic night in the late seventies, as summer begins and school finally lets out. Director Linklater doesn’t have a singular thread bonding his characters, save for his ensemble’s core desire to find one last adventure before the summer comes around demanding some new form of responsibility outside of school.
Tag Archives: Teen
My Boyfriend’s Back (1993) [Blu-Ray]
Say what you want about Bob Balaban’s horror comedy “My Boyfriend’s Back,” but it’s one of the more pleasant and twisted films to ever come out of the nineties. This was a decade where horror almost died, and what horror there was was deadly serious. “My Boyfriend’s Back” is a funny and sometimes demented take on acceptance with Andrew Lowery giving a bang up performance as Johnny Dingle. Dingle is a love starved high schooler who has the deepest affections for his lifelong love Missy McCloud. To win her heart, he stages a fake grocery store robbery to save her, but things go awry when an actual robbery ensues, and Johnny is murdered. Mysteriously, he comes back from the dead and is told that he can lurk around, but only in the confines of the town cemetery.
Disturbing Behavior (1998) [Blu-Ray]
I’d be hard pressed to call “Disturbing Behavior” a stellar horror film, but as an artifact of the late nineties teen horror boom, it’s a worthwhile effort by an “X-Files” creative mind. “Disturbing Behavior” fosters a fascinatingly looney tone that works in favor of the premise, even when it strives for inadvertent camp. James Marsden plays Steve, a newcomer to Cradle Bay who has just move in with his family and little sister. Steve is instantly accepted in to the reject crowd of the school, as led unofficially by Nick Stahl’s character Gavin. Despite the strange rift between cliques in the local high school, Steve writes off the separation as simple pack mentality, but is told by Gavin that the popular crowd also known as “Blue Ribbons” are actually more sinister than they seem.
Five Reasons Why You Should Buy “Freaks and Geeks”
We “Freaks and Geeks” fans are a small but loyal community that have known who Judd Apatow and Paul Feig were before they became directors and producers of various hit theatrical comedies. Before storming the box office, Feig, with executive producer Judd Apatow, created the short lived “Freaks and Geeks” which sadly only lasted one season. Thankfully the show lived on thanks to the internet and gained a new fanbase by playing the series on cable. That’s how I discovered the series and fell in love with it.
After a campaign from fans online, “Freaks and Geeks” finally garnered a very acclaimed deluxe release on DVD, and now after many, many years, Shout! Factory is offering fans a brand new deluxe Blu-Ray release of “Freaks And Geeks.” As a fan of the series, I highly suggest it to folks that love coming of age period drama comedies as it’s right up there with “Wonder Years” and “Happy Days.” Here are five reasons why you should buy the new release if you’ve never seen the series before.
You Have to See This! Private Resort (1985)
Well it just goes to show all the aspiring actors out there hoping for success. Most times you have to earn your stripes by being in junk you think is awful, all for the sake of an inevitable break out role. The two stars of the piece are Rob Morrow and post – “Nightmare on Elm Street” Johnny Depp at very young ages, and starring in what was one of maybe two hundred teen sex comedies released in the eighties. Ben and Jack crash a Jamaican resort club during Spring Break intent on causing trouble with the colorful variety of guests, and scoping out babes for the sake of getting laid.
In the process they run afoul hotel security, a weird spiritualist, her goofy wealthy grandmother, a jewel thief, an abusive waiter, a meat head hotel patron and his drunken girlfriend, and a sexy Southern Belle. While “Private Resort” is often pure nonsense, Morrow eventually went on to a long interesting career in television and film. As for Johnny Depp, after this he went on to a break out role in “Platoon” and then from then on, I think he worked in other films and TV, who knows? Did we ever hear from Johnny Depp after “Platoon”? That said, Depp and Morrow allegedly despise “Private Resort” and who can blame them?
I often bash some movies for having absolutely no narrative, but hot damn does “Private Resort” have no story. It’s like one giant punch line to a joke without the initial set up and build up. Yet another entry in the shockingly popular sub-genre from the eighties that began with films like “Last American Virgin” and “Porky’s,” George Bowers “Private Resort” embraces the sub-genre without any of the finesse of classics like “Revenge of the Nerds.” It’s just eighty five minutes of stock comedy tropes running in to one another and clashing for the sake of hopefully grabbing a laugh from the audience.
Ben and Jack are two teens that break in to a local resort in Jamaica during Spring Break, and begin walking around harassing guests, causing trouble, and looking to get laid. That’s literally the entire movie. There’s no explanation how they got their room, who they’re staying with, or why they’re at the resort originally. Most of their time is spent walking around the lounges and pool side hitting on women and trying to lure them back to their suite for the sake of having sex with them. On occasion, their wacky misadventures spiral out of control and they end up getting in to a sexual scenario.
During one scene Ben and Jack meet Leslie Easterbrook’s incredibly sexy Bobby Sue, who is sun bathing pool side, and despite their flirtations, she rebuffs their advances. Accidentally leaving her room key behind, they think it’s a hint, and break in to her room. Bobby Sue has a very viciously jealous husband, of course. He’s called the Maestro and is played by Hector Elizondo for reasons I’m sure involved an easy payday. He’s the obligatory villain of the comedy mistaking Morrow’s character Ben for the hotel barber prompting Ben to mangle his precious doo while Jack is in Bobby Sue’s room nude and trying to find an escape.
Like one long episode of “Three’s Company,” there’s a ton of goofy physical double takes, Depp trying his damndest to be wacky, and many scenes involving the pair of pals running around the halls of the hotel outrunning someone who rightfully wants to arrest them or beat them up. And wouldn’t you know it? Despite this hotel being a high priced swanky vacation spot, every room has a lion share of wacky and outrageous residents. For some odd reason during the big chase scene in the finale, Maestro crashes in to a room where two sumo wrestlers are apparently standing around preparing to fight? I think?
Like every teen sex comedy, Ben and Jack eventually run across women they want to have sex with but end up in potentially meaningful relationships and given the opportunities to redeem themselves. For Ben his form of redemption involves getting potential girlfriend Patti out of an abusive relationship with a waiter as she refuses to stand up for herself afraid of losing her job. Obviously the complicated problem is solved by a comical punch in the face, and a declaration of love, because why add some characterization to what is unsalvageable dreck by the time the second half rolls around.
Elizondo is seemingly in the movie for no reason, so he’s given a half assed sub-plot mid-way where he plans to romance wealthy woman Mrs. Rawlings for the sake of stealing her precious diamond. That proves disastrous thanks to Ben and Jack when they accidentally interfere with his attempts to seduce her constantly. Every cast member is so ill fitted for the movie that if there is a laugh or two, it will be entirely accidental. To show how utterly inept the movie tends to be, even at the standards of a forgettable cash in, “Private Resort” actually steals a running joke from “Airplane!” involving a taxi and its running meter as Bobby Sue waits in the car.
If none of “Private Resort” appeals to you, then you have to at least sit through it for the sake of Leslie Easterbrook. If you ever sat through any of the “Police Academy” movies wondering what she looked like underneath the uniform, Easterbook is an absolute bombshell here who flashes skin as character Bobby Sue. She appears constantly in skimpy clothing and bathing suits, and even wears a see through robe that reveals her amazing bare body underneath.
Easterbrook is one of the most underrated sex symbols of the eighties, and she shows here why she deserves to be the reigning queen above everyone else. One scene finds hotel security harassing a woman for wearing a skimpy bathing suit and she teases him by making it shorter and wiggling her back side. There’s also the insanely hot Lisa London who plays the drunken girlfriend of Andrew Dice Clay’s character. While she’s mostly on the floor, she shows off her curves without hesitation and looks incredible.
Meanwhile while her husband is involved in all sorts of running around, getting in to fights and inevitably getting the crap kicked out of him by Dody Goodman. It then simply ends on a freeze frame of Morrow. There’s no resolution, no climax, it just ends so swiftly. Almost like tearing a band aid off. Is there any wonder there was never a Private Resort 2″? Everyone starts somewhere, and for good inspiration on how major actors also have to pay their dues, “Private Resort” is a prime example. Rob Morrow, Johnny Depp, Hector Elizondo, and yes, even Leslie Easterbrook who went on to cult fame with the “Police Academy” film series, are all here slumming it up with a sub-genre milked way beyond its threshold in the 1980’s. It’s not at all the worst of its kind, but it is definitely a low point for teen sex comedies of the decade.
Teen Witch (1989)
“Teen Witch” is one of the last relics of the eighties that isn’t just a fantasy for teen girls based around the joy of superficiality and empty popularity, but something of a cheesy comedy that absolutely embraces its idiocy time and time again. The unapologetic cheesiness and truly awful values of “Teen Witch” is often so bad, and yet so damn charming to endure. You almost have to admire it for building up to an anti-climax that boasts about how great it is to have the guy of your dreams, even if he’s as deep as a Koi pond. Dorian Walker’s film also dares to embrace the hip hop genre with a trio of young white men from the suburbs. Thank goodness for Larry Weir.
Stewardess School (1986)
In 1984, “Police Academy” stormed in to theaters and helped define comedy for the eighties. Suddenly every profession in America was some kind of madcap misadventure, including being a stewardess, for some reason. “Stewardess School” is another take on the formula, this time with a group of misfits doing their damndest to train to become stewardesses, all the while getting naked, doing drugs, and experiencing some of the best stereotypes you can imagine. Filled with only the best C list TV stars, “Stewardess School” is passable entertainment if you keep in mind it’s trying its best to launch a series on the “Police Academy” formula.










