Creepshow 2 (1987)

creepshow-pt2

What with the resurgence of the anthology sub-genre in the eighties, and the release of the hit horror film “Creepshow” that managed to be a near flawless masterpiece, a sequel was not only inevitable, but a no brainer. Director Michael Gornick’s follow-up to “Creepshow” is admittedly a much more low tech and less enthusiastic outing for the series, but damn it, it sure is a lot of fun. Granted the film falls short of being excellent, but as a follow-up to the riveting and entertaining original, it’s a very strong and occasionally creepy sequel. It’s been one of my favorites since I was a kid, and though it’s shown its wear since 1987, it’s still a fun horror film. Lacking the star power and novelty of the first film, “Creepshow 2” slims down the story count and relies more on a bleak atmosphere.

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Creepshow (1982)

CreepShow

George A. Romero’s “Creepshow” is almost a spit in the face of everyone who decried comic books a sheer stain on humanity and the youth, blaming the colored pages for the evaporation of morality in the fifties and sixties. “Creepshow” is an absolute celebration of horror comics and a love letter to the EC generation who had their stories robbed by hack psychologists who blamed comic books for homosexuality, crime, murder, and drug use. “Creepshow” is a joint effort from many people just filled with talent that simply can not hold this entire film at times. An absolute orgy of laughs, scares, and thrills, “Creepshow” is one of the finest, if not the finest anthology horror film second only to “Black Sabbath.”

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Night of the Living Dead (1990)

Much like almost every horror fan out there, I’ve seen “Night of the Living Dead,” and had my cherry busted by it when I was five. Since being in the public domain, Romero’s movie has been open to many, many re-workings, one of which occurred in 1990 when his protégé Tom Savini got the wild idea to remake “Night of the Living Dead,” and you know what? It wasn’t bad. In fact his remake stands as one of the better remakes of a Romero film to date, and Savini enlists much of the same dread and horror and instills it with a bleak tone of greens and dark blues to invoke a film that’s quite gritty, bleak, and hopeless even in spite of changing a lot of character actions and increasing the tension. It also helps that he enlists the talents of special effects guru Gregory Nicotero to turn the walking dead in to shambling harbingers of death that I still have difficulty looking at to this day. The song is almost like what you’ve heard in the original.

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