
I love Ron Perlman. Whether as the bad ass demon ass kicker “Hellboy,” or in a long-winded turkey like “Desperation,” there are not many instances where he can lose with me. In “Pro-Life” his performance is powerful, and I utterly loved him as the anti-abortion terrorist doing anything to get his daughter back from the clinic. He’s the highlight, here. “Pro-Life” drops down on a reality where abortion clinics have armed guards and fences that keep out protestors. Apparently, this is the near future but nonetheless, the whole concept of Carpenter’s installment is to somewhat paint the pro/anti-abortion issue into a more horrific light.


If you’re a child of the nineties, you’ll remember that back then, animated series had texture. They weren’t like today where it was colorful and filled with characters with no basic coherent storyline. Back then animated series had stories, arcs, brains, and influence. Gems like “Talespin”, “Captain Planet”, and “Mighty Max” were what made animation so incredible. But they were intimidating, and that’s why networks sought out to bring them down and cancel them.