Tag Archives: TV Show

Blade: The Series

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After a rather unspectacular opening, it’s pretty clear where we stand. The budget is low, and Sticky Fingaz (rapper turned actor) is basically imitating Wesley Snipes doing Blade. Rather than take his own personality and attribute it to the character of Blade, Mr. Fingaz seeks only to imitate Snipes. Suggestion from the director, or his own choice, either one is still an incredible misstep. Fingaz even imitates Snipes’ slight African accent, with no avail.

The accent jumps in and out, and there are expected changes to the plot. Now Blade has an entourage comprised of your usual characters, and the wolf pack, Whistler, Deacon Frost et al are all basically forgotten, and or never mentioned. Maybe it’s permanent or maybe they’re saving it for (wishful thinking on their part) future seasons. I liked the “Blade” series. While “Blade” may not have been a masterpiece, its successors were entertaining. It was only obvious a spin-off/series would be attempted. And it’s still a great idea.

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Everwood Series Finale: Foreverwood

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0It’s been four years, four years on the WB. When “Smallville” premiered, I remember seeing the previews for “Everwood” and thought, “What the hell? I’ll give it a shot.” I never really thought it would become a ritual every week. “Everwood”, a casualty of the upcoming merge of the WB and UPN, is proof positive that television executives have no clue what quality programming is. After a long hiatus, and many time slot changes, the executives decided “It’s ratings were too low” (explain the logic behind that) and cut it down from the fall’s schedule. Which is not to say “Everwood” wasn’t sliding. “Everwood” was an excellent show, but became much too bogged down in melodrama and began lacking the spirit and small town quirkiness the first three seasons had.

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The 4400: Season Premiere

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Two hour premiere June 11th
Season Premiere on June 18th

The obscure, but apparently popular series returns once again to the USA Network with much anticipated season three on June 11th. I’ve never seen this show, nor have I ever sought it out in spite of its unique plot. But “The 4400” a mix of “Taken”, and utterly shameless elements ripped from “X-Men” rejoins the story once more as the government is seeking to warn America about the potential war about to brew with humans and the 4400, while they incorporate themselves into society with obvious supernatural powers such as telepathy, and underwater breathing.

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Masters of Horror: Imprint

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What—you thought I wouldn’t review this episode? You fool. Showtime, or as I like to call it, HBO-lite created the “Masters of Horror” series more as a Halloween novelty and then in to a full on series. They then invited horror veterans to throw in their own tales in the proverbial cap and really garner ratings and acclaim. And then they took on Takashe Miike. And then they banned his creation. The equivalent of this being that I ask an artist to draw the most disturbing picture he can, and then when he does, I scream “Whoa! Too disturbing!” And then I tear it up. My question is: How can you give an arsonist a match and then not expect him to burn down a whole city? How can you let Takashe Miike direct something for you and then get angry when he actually directs?! Did anyone at Showtime even know who he was?

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Cheerleader Nation

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Now, I for one don’t watch reality shows, mainly because: a. I’ve seen a lot of them at the beginning, and b. 99 percent of them really suck. I mean, really suck (that one percent is just a margin of error), and I very rarely ever sit down to watch a reality show. But as far as “Cheerleader Nation” goes, it’s not a bad show. Would I watch the entire season? Hell no, but from the episode I was given a chance to see, it’s tolerable enough to sit through. And, if for no other reason, watch it because it has cheerleaders. It’s awfully staged, pretty cheesy, there are your assorted mixed bag of characters including your stage moms, and your drama, but it’s also pretty fun, I’m ashamed to admit.

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Masters of Horror: Haeckel's Tale

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So we have the season finale, finally. Excuse the inadvertent pun. With a season of highs and lows, good and bad, and hits and misses, “Masters of Horror” season one comes to an end. With a period piece concerning death and the living dead. Sure, to some it may seem like yet another retread, and in many respects it was, but as a standalone, I really liked this episode, and because it involves zombies, and has the great Gregory Nicotero, you know you’re about to see some wicked zombie make-up effects. Haeckel is a young doctor who seeks to discover the mysteries of the necromancers, their necromancing, and the voodoo that they do so he can use it for his current scientific project of re-animating dead corpses, but he finds he’s gone too deep when he is taken in by a couple one night and discovers the wife holds a mystery.

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Masters of Horror: Pick Me Up

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“Pick me Up” prides itself in being both morbid and pleasingly twisted. As if the concept of open roads and total strangers wasn’t uneasy enough, the fact that the writer pinpoints that there can also be psychotic truckers and psychotic hitchhikers works with a great effect. The ego war between both Walker and Wheeler is fascinating to watch as they have almost a competition killing people they come across and taking immense interest in their methods. And then there’s Fairuza Balk. Normally, I’m not one who thinks she’s sexy, but surprisingly, here, watching her walk around in a towel was sexy. She’s unnecessary, but she’s good here.

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