Film Craft: Directing [Paperback]

The crown jewel of the Film Craft Series is of course the volume entitled “Directing.” While every aspect of filmmaking takes work, time, and dedication, directing is essentially the most difficult aspect of making a film. Whenever a movie fails or succeeds the filmmaker is blamed. And whenever an acclaimed actor decides they want to direct it not only becomes a big deal, but it makes it impossible for other directors to step up and achieve acclaim. Which is not to say actors can’t direct, as the book “Film Craft” interviews many noted and incredible directors, all of whom have their own experiences in the field.

As with the previous books in the series, “Directing” is about the hard work and utter pressure it takes to be a director. Lensing a project and achieving some sense of success or artistic satisfaction is tough, and often times it requires massive sacrifice and stress for an artist to express themselves on film. Author Mike Goodridge is able to garner some truly excellent insight in to the directorial process from some very big name auteur. Engrossing and detailed, “Directing” lends readers an intelligent exploration in to movie making that all movie buffs will relish and aspiring filmmakers will treasure.

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Star Studded Dramas – 8 Engaging Films (DVD)

For movie fans looking for some dramatic features, Mill Creek is more than happy to provide an eight film boxed set of some varied dramas that will surely attract any audience in the mood for soapy, entertaining, or who just want to kill some time. The “Star Studded Dramas” are worthy of the watches, if only for their varying degrees of tone since neither title is very similar to the other.

2000’s Billy Bob Thorton directed “All the Pretty Horses” finds Matt Damon as a cowboy who falls in love with the local rancher’s daughter, who so happens to be Penelope Cruz. Filled with sudsy direction and a great cast, this is one of Matt Damon’s most unique films.  2004’s “A Love Song for Bobby Long” stars an interesting cast including John Travolta as an alcoholic and Scarlett Johannson as the woman who befriends him in the somewhat bleak drama about characters colliding in the middle of tragedy and soon they begin to learn about one another in ways they never imagined.

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Film Craft: Producing [Paperback]

Authors Geoffrey Macnab & Sharon Swart provide readers with a true insight in to what being a producer means, and seek out to break all the stereotypes about producers as a whole. Producers, as the book sets out to explain, aren’t all Hollywood fat cats who seek to remind you about budget. Sometimes they can be collaborators with directors. Sometimes they can be even more passionate about a movie than the actual director working on the film. And sometimes they can inject ideas in to a film to help make it much more entertaining and or approachable to audiences.

Producers are working men and women just like the director and the screenwriter, and “Film Craft: Producing” is a book solely for cinephiles and movie buffs who want to learn more about the industry that carries with it an unfortunate stigma among movie fans who often blame poor quality of a movie on a producer. True, producers can be just suits who come on a set to remind directors about budget and time restraints, but they can be friends to the artist and “Producing” offers accounts from many noted producers, all of whom have brought something unique and specific to the table in terms of cinematic contributions and molding pop culture juggernauts alike.

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Room 237 (2013)

There’s just so much mystery behind Stanley Kubrick’s “The Shining,” that you have to ponder on the mystery behind “Room 237.” The Rodney Ascher directed documentary is a film that explores the dimensions of “The Shining” but also garners its own curiosities in the mean time. I mean there’s no denying that “The Shining” was never meant to be anything more than a puzzle from Stanley Kubrick, but what is the puzzle? Did Kubrick really pay so much attention to the film to include a yet to be deciphered message within the film cells? Or is it just a pastiche of random imagery left for the laymen to tinker with for decades to come? Did Kubrick find cinematic immortality by simply giving his audience a movie to think about that ultimately just meant nothing? You have to wonder, why would Kubrick be so meticulous about scenery, props, and symbolism, but forget to hide the shadow of his chopper during the opening scenes of the film?

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Rain Dog (2013)

raindogWith “Rain Dog,” director Jordan Wippell really refines a great style of neo-noir storytelling for his audience. He does so by providing some interesting flashbacks set to black and white shades set to the slow motion that really do help tell the story. While I’m not always a big fan of slow motion, “Rain Dog” has exception due to its neo-noir callbacks and it works wonders in producing mood and urgency.

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The ABC's of Death (2013)

14L7J0EOne aspect of “The ABC’s of Death” that many audiences will acknowledge. Even when it’s bad it’s really damn unique. “The ABC’s of Death” isn’t always a home run, and I will in no way consider it a masterpiece of modern cinema any time soon, but as an ambitious experience bold enough to include various themes that are normally considered in bad taste for mainstream cinema, I was fond of it. I appreciated its ambition. I respected its originality, and I really did love its sense of humor.

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it's a love thing. (2012)

lovething

The only problem I had with director Andy Dodd’s romantic dramedy is that it wasn’t a little longer. With another fifteen to twenty minutes added, “It’s a Love Thing” could have really become an excellent feature. But that’s a mere nitpick, because “It’s a Love Thing” could have been four hours and I’d still be complaining that it wasn’t long enough. “It’s a Love Thing” is a beautiful and engaging drama about two children in a big world that find one another in the midst of the randomness and find out that love is better than anything around them. Including Star Wars.

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