Art by Trevor Gentry Birnbaum
Hell, while We're Re-Sequelizing
Author Archives: Felix Vasquez
Masters of Horror: Pelts
I am not one who is all about the gore. Granted, I loves me some blood splatter, and I’m not opposed to torture, but I also like it when it’s accompanied by a story, or at least engaging characters. “Pelts” essentially doesn’t have compelling characters, but the story is entertaining. I was not a fan of Dario Argento’s prior effort, “Jenifer.” I thought it was bland, Stephen Weber’s performance was cartoonish, and the climax was brutally predictable. “Pelts” is a step up in the gore department, and in the plot. It takes the concepts of furs turning against the people holding them, and never exhausts itself. “Pelts” pulls out all the stops, not only in the gore, but in the grueling scenes of self-mutilation, and it’s typical Argento. Meatloaf plays a vicious and rather slimy fur buyer who works his factory workers to the bone, and aspires for quality.
Watch Me (2006)
The recent craze of Asian horror inspired films has been one I’ve not been most accepting of, mostly because half of them aren’t very good to begin with. Some are dramas painted as horror (Dark Water), and some are just remade into horrible films (Pulse), but I’m always willing to watch a horror film inspired by the trend and see if it lands on its feet or falls flat and breaks its neck. “Watch Me” has all the basic elements of an Asian horror film. Creepy ghost, mysterious object inspiring mysterious deaths, and of course a modern medium used as a facilitator.
Saw III (2006)
Well, it’s sad that a promising trilogy is now being announced as having almost five more installments added soon. Lions Gate has made no lies or double talk about this decision. The creators Whanel and Wan have proclaimed they’re dropping out of the further installments, but the studio and Tobin Bell are intent on continuing this franchise. Soon we’ll have “Saw: in Space”! Since the studio is intent on raping this series until it bleeds, “Saw III” is possibly the last good entry in an otherwise quality franchise.
Babel (2006)
Since films like “The Constant Gardener” and “Traffic” have set a precedent for big budget Oscar contenders with a commentary on society, “Babel” is one of the many to enter the film community with a rather timely commentary. If anything, “Babel” should make for some interesting debating once the film has ended, and will surely enter into the Oscars eventually. Iñárritu’s film revolves around alienation and communication, and alienation not only through immigration, but through the differences that alienate us from everyone around us, even to people similar in nationality. Take for example Chieko who is a deaf-mute still grieving her mother’s suicide and seeks to be accepted in her country among her friends.
Curious George (2006)
“Curious George” takes the adaptation in the right direction, with new character changes that work well. As a fan of the book series, and as someone who grew up reading this wonderful series, I was anxious to see “Curious George.” And the child in me wasn’t let down. The man in the yellow hat is now named Ted. And his yellow suit is one he was tricked into wearing. And I like it. Many other questions are answered in this big screen animated adaptation (How did George get his name?) that I can describe as one of the most adorable animated films I’ve seen in years.
Jonestown: The Life and Death of Peoples Temple (2006)
“I’ve never said suicide, I never will say suicide… Jim Jones killed them.”
One of the most spine-tingling moments of “Jonestown: The Life and Death of the People’s Temple” is a simple minute of passive home video footage. Jim Jones opens a box of supplies and explores it: “Here we have rice… black-eyed peas… Kool-aid.” How does one man win over 909 people? How does one man convince them he is the second coming of Christ? How does one man convince almost a thousand people to follow him in committing suicide? Prey on their vulnerabilities.