Director John Cameron Mitchell’s “Shortbus” is a movie I’d only ever heard about since its 2006 release but never actually sat down to watch. Nothing really prepared me for what he had to offer in terms of not only commenting on sexuality but on sex in general. “Shortbus” is unabashedly shocking in its presentation, offering up a movie about a group of New Yorkers, all of whom are seeking human connection. Some of them think that sex will grant them that connection, while some of them are just seeking emotional connection that may or may not allow them that desire with sex and various sexual acts.
Category Archives: Movie Reviews
Door Mouse (2023)
I’m pretty surprised that Avan Jogia had it in him to direct one of the better indie films I’ve seen all year. Shockingly, “Door Mouse” is not based on any particular comic book or graphic novel, but its influences are taken from obvious places like Frank Miller, Sam Spade, Scott Pilgrim, Tank Girl and the like. Jogia is mostly known for being a former Nickelodeon actor in America who then transitioned well in to adult films, but he’s also proven with “Door Mouse” to be a pretty awesome director when all is said and done. “Door Mouse” is a pulpy, neo-noirish, crime thriller with some great references to comic books and a very clever use of animation as a means of helping to add to the overall pulp fiction aesthetic that Jogia seems to be aiming for.
Foolish Wives (1922) [Blu-Ray/DVD]
Billed as the “first million-dollar movie” when it was released in 1922, Erich von Stroheim’s “Foolish Wives” is a film whose reputation is greater than its contents.
Stroheim stars as a grifter who pretends to be a Russian count – a pair of his ex-lovers masquerade as his cousins, also putting on the fraudulent personas of being aristocrats of the tsarist orbit. They live a precarious existence in Monte Carlo, paying their mounting bills with counterfeit money while staking out rich suckers for extortion. The “count” finds his latest mark in the young and naïve wife of a newly-arrived American diplomat – but he overplays his hand when he juggles his chicanery with lascivious recklessness involving the affections of a chambermaid and the mentally retarded teenage daughter of his counterfeit money provider.
Tales from the Apocalypse (2023)
I’m shocked at how great “Tales from the Apocalypse” was, and I say that as someone that loves a good apocalyptic yarn here and there. While I wouldn’t be quick to compare it to “Trick r Treat” as the premise has explained, it manages to stand on its own two feet as great anthology filled with five great science fiction shorts obvious influenced by the likes of Ray Bradbury, Rod Serling, and Richard Matheson. I’m also glad a lot of the shorts picked for this film aren’t the usual tired tropes, but aim for something so much more meaningful and thought provoking.
Indiana Jones and the Dial of Destiny (2023)
“The Dial of Destiny” is significant not only in that it’s a movie primarily about time, but about wanting to go back in time and fix mistakes. The Indiana Jones we see here is not the Indiana Jones we saw in “Raiders of the Lost Ark” or even “The Last Crusade.” He’s older, he’s war torn, and he’s grappling with so much regret that he’s lost his passion for adventuring. When we see Indiana Jones he’s a man who has lived two full lives and he’s thrust back in to what is arguably his final adventure and it’s bittersweet.
Open Secret (1948)
Newlyweds Paul (John Ireland) and Nancy (Jane Randolph) Lester are on their honeymoon when they decide to stop by to see Paul’s army buddy, Ed Stevens. The problem is when they arrive at his apartment, Ed is missing. His mail has been taken and someone has broken into the apartment looking for something. Something important.
You Hurt My Feelings (2023)
Director and writer Nicole Holofcener’s film is usually something I turn my nose up at if only because I’m not a fan of affluent people complaining about their lives for ninety minutes. However, I really did respond to “You Hurt My Feelings” mainly because despite the setting, Holofcener reaches down deep to tell a movie not just about the struggles with impostor syndrome in writers, but also about the concept of confrontations and the sense of grief and pain that follows when we’re subject to an uneasy truth or revelation.