I confess that I’m just not a Wes Anderson fan. I’ve tried very hard to be over the years, but so many of his movies have left me cold, indifferent, and just downright bored. With “Asteroid City” it feels like Wes Anderson is appealing to his hardcore fans more than trying to create something that’s accessible to new fans. With his sense of framing and shooting scenes that feel like bad A.I. jpegs, and his multi-layered, somewhat confusing narrative, “Asteroid City” will score with folks that loved the likes of “The Grand Budapest Hotel” or “The Aquatic Life.” As for me, I entered it hopeful and left generally indifferent by the whole affair. Not even the obscenely talented ensemble cast could win me over, I’m disappointed to admit.
Category Archives: Movie Reviews
No Hard Feelings (2023)
It’s been a minute since we’ve had a good raunchy adult comedy in the theaters. In the early aughts, the raunchy sex comedies were everywhere and they’ve since been slowly dying out. “No Hard Feelings” is a refreshing return to the good old days where comedies weren’t afraid to be risqué and offensive. And it happens to be led by none other than Jennifer Lawrence of all people. Lawrence, who is mostly known for her dramatic performances, leads the charge in what is basically a vehicle for her. While most actresses would opt for a drama or romance, Lawrence dips her toes in the National Lampoons arena with a movie that feels ripped straight out of 1987. And whether you like her or not, Jennifer Lawrence goes all in on the raunchy sex comedy.
Raymond Griffith: The Silk Hat Comedian [Blu-ray/DVD]
During the mid-1920s, Raymond Griffith was among the most popular stars of feature-length comedy films. With his silk top hat and crispy tailored tuxedo, the self-confidence and urbane Griffith was a suave alternative to the beleaguered characters played on screen by Chaplin, Keaton and Lloyd.
T.H.O.T? (2022)
For men dating can be about the finality of it, while with women it can be about the prospects and aspirations of relationships. “T.H.O.T?” isn’t a completely blanket commentary on the sexes as both genders are capable of garnering those mind sets, but director Jayson Johnson ventures in to the ideas of dating, sex, and how every single confrontation can dictate one’s future. Johnson conceives a pretty fascinating relationship drama, first delving in to how main character Kev dictates the way his night might go with prospect Stacy.
10-33 (2021)
Director and Writer Alexander Maxim Seltzer’s “10-33” is a powerhouse of a short film. In only ten minutes it packs in a fleshed out narrative, a horrifying plot twist, gut wrenching suspense, and a gut punch of a climax. Altogether it is also a taut commentary about the current climate we live in where gun violence is now not only recurring, but inevitable. Director Maxim Seltzer is a masterful storyteller, building such a wonderful thriller in such a short time.
Barbie Nation: An Unauthorized Tour (1998)
The 25th Anniversary Director’s Cut will be available on Demand June 27th.
One thing you can’t accuse Susan Stern’s documentary “Barbie Nation” of being is biased. Through and through “Barbie Nation” is a biography about the creation of Barbie, but it’s also an objective one. It’s bizarre, it’s humorous, it’s self deprecating, and most of all it reveals the pros and cons of the Barbie fandom. Director Susan Stern is a lot more interested in taking a look at the more surreal side of the Barbie fandom. While “Barbie Nation” does explore the culmination and conception of the doll, “Barbie Nation” also looks at the small pockets of fandoms that have popped up.
Mickey Hardaway (2023)
Director and Writer Marcellus Cox’s “Mickey Hardaway” took me back to a lot of other great character studies like “Antwone Fisher” and “Ordinary People.” Director and writer Cox really builds a compelling and interesting drama about a young man who is ultimately his own worst enemy. Director and writer Cox has a lot of story to tell, dealing in themes about being an artist, the frustrations of impostor syndrome, and learning to overcome past demons. While the film suffers a bit from some on the nose dialogue, it doesn’t hinder what is a richly developed character drama that I was engaged with from the very beginning.