One of the things I wish horror movies would stop doing is the meta-dialogue drop where a character proclaims “I feel like I’m in a horror movie!” to which someone replies “Well this isn’t a horror movie! This is real life.” Please stop that. I know I’m watching a horror movie. I don’t need to know that the characters know that we’re watching a horror movie. That said, “Pillow Party Massacre” is a mix of “I Know What You Did Last Summer” and “Slaughter High” but with none of the fun hacking and slashing that goes with them. There’s nary a pillow party or a respectable massacre to be had.
Category Archives: Movie Reviews
Killer Kites (2023)
With “Killer Kites,” you’re facing a movie that’s genuinely critic proof, and has a clear idea about what it is from the first moment it starts. It’s only an hour in length and spends a lot of its time trying to turn kites in to mythological monsters. So, you either go in knowing what to expect, or you turn around look for another means of entertainment. I have to admit that Alan Dale and Austin Frosch’s horror comedy won me over from the opening credits.
The Mother (2023)
Niki Caro is a fine director who doesn’t exactly utilize her talents in “The Mother.” It’s a movie that feels so very meticulously calculated as a means of reforming Jennifer Lopez’s film career from drama and comedy star to action star. Sadly, Caro’s direction is flat in what is pretty much a run of the mill mix of action adventure and family drama. “The Mother” has a ton of potential behind it, and presents seeds of interesting ideas. It just all gets lost in a haze of sub-plots, all of which are under developed, or left dangling in the air without much fallout.
Til Death Do Us Part (2023)
When a bride changes her mind at the wedding venue and goes on the run, her husband-to-be’s groomsmen come after her with the intent to kill.
Bloody Bridget (2023)
Burlesque dancer Bridget gets turned into a vampire by Baron Samedi who believes her to be his long lost wife, Maman Brigitte. With her newfound powers, Bridget spreads some mayhem and stops some evil.
Pleasure (2021) [LA&M Film Fetish Forum]
Many times in our lives we spend it eating our meals, but never really knowing how the meal is prepared. We never know how the sausage is stuffed, we never see the cow butchered, and “Pleasure” is, in a way, a look at how the cow is butchered for our entertainment. “Pleasure” isn’t so much an indictment of the porn industry, it’s more so a look at the rough and shoddy experience that is the porn industry and how much it can destroy someone that isn’t quite prepared for it. Our main protagonist Bella Cherry is a woman who will do anything to be a famous porn star, but the question lingers is how far is she willing to go to achieve that stardom?
Guardians of the Galaxy Vol. 3 (2023)
Director James Gunn commits to a very interesting fear in avoiding the third film curse by shifting a lot of the focus for his odyssey of the Guardians of the Galaxy. Rather than continue on the journey of Peter Quill, Gunn focuses on the more problematic characters that have entered in to the Marvel Universe. Throughout the trilogy we’ve only know a bit about Nebula and Rocket Raccoon. We know that they’re in essence hard heroes to understand and cope with and Gunn gets down to the nitty gritty and give us compelling back stories. Along the way their back stories allow us to garner a further understanding as to why they relate to the other characters as they do.