The movie that Kickstarter gave us is finally here, and it’s pretty great to see Veronica Mars back and in action. I fondly recall following “Veronica Mars” during season two after I grabbed a hold of season one and tore through the entire freshman year in one sitting. Like many series before it, “Veronica Mars” is one of the more under appreciated crime dramas that never got its due, despite a loyal fan following and critical acclaim. Thankfully creator Rob Thomas is finally able to put his love child to bed, and give fans the sign off we’ve been pleading for, for years.
Category Archives: Movie Reviews
Virtual Encounters (1996)
It’s Skinemax time and “Virtual Encounters” is the movie for anyone interested in delightful mediocre mid-nineties porn. As a movie it’s a pretty crummy and boring attempt to add fantasy elements to a genre already built around fantasies. Part of the Surrender Cinema division from Full Moon, “Virtual Encounters” is pseudo-science fiction that basically just features a slew of mildly erotic sex scenes that have no real context to them. They’re just there to get about as much mileage out of the movie before it ends.
Kindergarten Cop (1990)
Back in the eighties and nineties, Arnold Schwarzenegger was larger than life. With his large build and thick Austrian accent, his rough exterior was contradicted by his sweet personality. This carries over more than successfully in Ivan Reitman’s “Kindergarten Cop,” one of his many efforts to connect with younger audiences. His transformation in to kids film star is nearly seamless, as he’s able to connect with his primarily younger cast surprisingly well, and garners a strong chemistry with just about everyone in the film.
Musical Chairs (2014)
“Cheer Up. You’re Alive.”
While Susan Seidelman’s musical drama is contrived and formulaic, it gets a free pass mainly for being such a charming romance that at least tries to break its predictability. “Musical Chairs” is the celebration of dance, despite physical disabilities, all the while focusing on a couple that find love through their hardships and their passion for the dance floor. It’s very interesting that “Musical Chairs” really dodges the more conventional aspects of films of this ilk, and also seems to strive for more diversity in characters beyond skin color.
Stories We Tell (2012)
No matter how much we love someone, no matter how much time we spend around them, we never truly know them. Even when we’ve spent enough time to know their routines and their flaws, we can never really know the person we love. Director Sarah Polley constructs an extraordinary documentary in where she attempts to figure out who her mother was. Surely, she knows who her mother was, but after her death, she’s spent an immense amount of her time during her film trying to figure out who she was. And surely enough, she realizes the person her mother was, wasn’t the person everyone else knew her as.
The Impaler (2013)
At eighty five minutes in length, if you took out thirty minutes from “The Impaler” you really wouldn’t notice anything missing. I’m not even kidding, what’s drawn out to a painful degree in eighty five minutes could be told in fifty minutes, and we wouldn’t be subjected to a lot of the alleged scares that occur. The movie is so bad that it rips off “Spellcaster,” and hilariously its budget is so low it can’t even rip off the cheesy effects involved with the haunted castle that ensue.
Last Action Hero (1993) (DVD)
I know a lot of people argue that “Last Action Hero” was ahead of its time, but I’d wager a bet we’ll likely never see a time where it’d be considered genius. Director John McTiernan matched with Arnold Schwarzenneger bring movie fans an action movie that never knows what it wants to be. It’s too straight faced to be considered satire, too silly to be taken as an action movie, too menacing to be a kids film, and too juvenile for hardcore Schwarzenneger fans. Yes, even more juvenile than “Kindergarten Cop.”Most of “Last Action Hero” can never decide on putting Schwarzenneger’s character in to the background. Considering he’s mostly just a fictional character that young Danny Madigan worships whenever he visits the theaters, it’s jarring the film basically begins on Jack Slater and his adventures.