Laserblast (1978)

Charles Band’s “Laserblast” is one of the many, many, many productions from Band that garners an interesting nugget of an idea, but has little resources of budget to pull it off. I guess Band is one of the many filmmakers who’d rather make it themselves than sell it to another studio, it’s just a shame that “Laserblast” is so god awful. Even its remake and sequel “Deadly Weapon” is bad. Tonally uneven, terribly written, and poorly trying to pass of Eddie Deezen as a bully, “Laserblast” is a nigh unwatchable science fiction film that has endure the wrath of many movie geeks. Including the group from the Satellite of Love.

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Night of the Comet (1984)

I’m often surprised at how great “Night of the Comet” holds up. Watching it years after I saw it back in the mid-nineties, I was pleasantly entertained by it, and how it unfolded as that perfect post-apocalyptic tale. It garnered comedy, horror, suspense, and valid villains, all the while reveling in its eighties kitsch. “Night of the Comet” remains an influential apocalyptic horror film, and for good reason. It manages to touch upon the doldrums of the apocalypse while also setting down on some truly entertaining characters.

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The Walking Dead: A Hardcore Parody (2013)

yzkqIMqAs a hardcore geek of Robert Kirkman’s “The Walking Dead,” the cover for Burning Angel’s parody of the show is incorrect and irritating. They mimic the poster for season two of the series, and feature most of the cast on Dale’s RV, and yet instead of Dale, we have Michonne in his place. I’m sure it was never their intention to have a bowl hatted seventy year old getting in to a threesome with Michonne and Andrea, but I’m sure there could have been a better way around it. And a “The Walking Dead” porn version without a XXX Maggie performer? Missed opportunity, Burning Angel. Joanna Angel does star as Lori, so it’s not a complete loss, all things considered.

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Song of the South (1946)

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It’s become well known that Disney has an immense history with creating some of the most racist characters of pop culture. There’s their noted hatred toward the Jewish religion, and even the infamous lyric to “Arabian Nights” in “Aladdin” that reads: “Where they cut off your ears if they don’t like your face,” and that film came out in 1992. But many of them are considered rather irrelevant when you bring up the name Uncle Remus.

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Springbreakers (2013)

I was really worried that director Harmony Korine would reach the lower depths of Larry Clarke levels of exploitation with his dramatic crime thriller “Spring Breakers.” But thankfully, while “Spring Breakers” is often exploitative and completely gratuitous, it succeeds in also exploring the recklessness of youth, and the ticking clock that will inevitably catch up to four young women convinced they have life in their hands, that will more than likely blow up in their faces.

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Fangoria Presents: Inhuman Resources (2013)

gWqZNAUAfter “Saw,” you could basically build an entire sub-genre around horror movies involving a group of strangers whom wake up in an abandoned location and endure a painful series of trials that teach them some lesson and reveal secrets. Thankfully, director Daniel Krige’s film “Inhuman Resources” (once known as “Redd, Inc”) works because it’s not only unique in its delivery of the premise, but darkly funny, too.

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Taken (2002)

1sjQQiZThe 2002 Spielberg fueled mini-series “Taken” is one of the few mini-series I’ve ever watched two times in a row. It’s at least fourteen hours in length. And I watched it two times in a row. “Taken” is just that good. The epic mini-series aired in the summer of 2002 on the Sci Fi Channel here in America, and on the 25th anniversary of “Close Encounters of The Third Kind.” While Science fiction was never really my niche as a pop culture fan, “Taken” is a whole new level of the genre that defies any and all conventions. It’s a mini-series that doesn’t just build up to something humongous, but it leads somewhere pretty incredible.

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