It’s pretty hilarious how though the sequel to “Basket Case” is said to have taken place the night after Duane failed to commit suicide with Belial, actor Kevin Van Hentenryck seems to have aged since the first film from eight years prior. “Basket Case 2” embraces the idiocy this time around, taking the route of the “It’s Alive!” sequels. Rather than Belial being a rare case of a deformed monster, we learn that there are in fact a tribe of deformed monsters of various dispositions living in the suburbs. And they’re all being cared for by the eccentric Granny Ruth who not only cares for them but acts as their therapist. The line “I understand your pain, Belial, but ripping the faces off people may not be in your best interest.” is actually delivered with a dead pan expression.
Category Archives: Movie Reviews
Basket Case (1982)
Sometimes with the good Grindhouse titles of the seventies and eighties, there are also the truly awful ones that make it through the ringer and come out looking pretty. Unfortunately Frank Henenlotter’s “Basket Case” is a piece of junk that has managed to garner a massive reputation as a horror classic. For what reasons? I have no idea. I guess because Henenlotter is such a creative and interesting director. I won’t lie, a movie about a guy walking around with his deformed brother in a basket is original, but that doesn’t mean it’s watchable. Duane Bradley is an average guy with a large secret who has just made it in to New York, and is living in a hotel with some of the most idiotic neighbors around. They’re all so eccentric and colorful it becomes obnoxious after their second introduction.
Truth or Die (2012) (DVD)
Director Robert Heath creates a horror film that starts out like “Slaughter High” and ends like “Saw.” Basically, “Truth or Die” is a revenge film of the twisted kind where no one is truly just. In the end, it’s about despicable people hurting despicable people. As is the trend with most modern revenge tales, “Truth or Die” is about the destruction of revenge and how nothing is ever as it seems.
0, 1, 2, 3, 1, 0 [Diligo Victum] (2010)
Director Dick Jane is really succeeding in distinguishing himself from other indie filmmakers, and slowly he’s turning in to a filmmaker I’m looking for most times. While he’s not always a home run cinematically, he does opt for daring. And it comes through. With “Kiddy Kiddy Bang Bang” that was a film guaranteed to turn heads and even incense some people. His first short film “0, 1, 2, 3, 1, 0” is a short Bergman-esque meditation on a woman struggling with suicide.
My Sucky Teen Romance (2012)
Director Emily Hagins gained instant fame in 2006 when she recruited all of her friends and family to direct her first feature horror film. The production and Hagins’ enthusiasm for the genre garnered the attention of film critic Harry Knowles (who cameos as a vampire expert) who took Hagins under his wing helping to fuel her film career. In 2009, Hagins then became the topic of the excellent documentary “Zombie Girl: The Movie,” a light hearted and entertaining look at Hagins relentless efforts to complete her feature length zombie film “Pathogen.” The documentary took festivals by storm and remains one of the more heart felt depictions of filmmaking ever produced. Now that we’ve played catch up, “My Sucky Teen Romance” is director Emily Hagins one step forward in to a much more legitimate career as a film director.
Transylmania (2009)
“Transylmania” is a pretty much just a waste of time. It rips from better horror comedies and tries in vain to construct something new and fails at every single turn imaginable. Go see “Transylvania Twist,” or “Young Frankenstein,” or “Abbot and Costello Meet Frankenstein,” or “Hold That Ghost” if you want to view what a true horror comedy is capable of. Hell, go see “Dracula Dead and Loving It” if you want to see a film that never quite manages to make use of its horror farce status but is still ten times better than “Transylmania.” It feels as if they wrote out a story (assuming there is a story) that involved a bunch of moronic college kids going to a foreign country. And then someone along the way figured they’d make some cash off the vampire craze and injected a lot of faux horror themes in to the script.
Wrong Number (2012)
Like many of director Patrick Rea’s horror shorts and feature films, “Wrong Number” is a genre gem that takes us by the hand and guides in to a world that looks normal on the surface, but really is nothing but a mad and demented reality that Rea orchestrates with a sardonic sense of humor. “Wrong Number” features a young woman who has accidentally dialed the home phone of an elderly woman who is at home knitting and going about her business.