
Curiously enough I spent most of 2012 ignoring the release of Stephen Chbosky’s “The Perks of Being a Wallflower.” Granted, the trailers for it were interesting, but they never actually sold me to the film’s potential. When I finally sat down to watch “Perks,” I was shocked to discover that the film was not only a modern masterpiece, but a completely unorthodox teen dramedy that treats its character not as niches for marketing merchandise, but as actual human beings.






