As a product coming out of the gates of the Weinstein throes where they took a painfully mediocre television series and turned it in to a form of producing an honest to goodness horror film, “Feast” kicked my ass from here to Thailand as a truly great horror comedy with some bone breaking action, creepy horror, and genuine comedy that induced laughter whenever it damn well pleased. “Feast II” takes the same turns as the original did but this time with Gulager able to take his own twist and storytelling abilities and include his own usual suspects i.e. his wife and father who prominently featured in the first half of the sequel known as “Sloppy Seconds.”
Category Archives: Movie Reviews
Chainsaw Maid (2007)
Around four months ago I deeply considered reviewing “Chainsaw Maid” for the site mainly because I thought it was so well made. These days I’m almost sorry that I opted out of reviewing “Chainsaw Maid” because it’s become somewhat of a cult hit. How did this happen? The animation is rigid. The claymation basic, and the story is so incredible one note, and yet when all is said and done I’d actually sit and watch a ninety minute live action version of “Chainsaw Maid.” What’s the big deal about this movie? Well, as a person who can’t speak Asian, the director, and writer are basically unknown to me, and there’s a strong character motivation in spite of the fact that there’s zero dialogue.
Midnight Meat Train (2008)
I hate the subways, I’ve always hated the subways; they’re dark, dank, merciless and filled with running machines that you can’t control thus you are immediately trapped if you find yourself on the wrong pod in the middle of the night. What if it stops mid tunnel? Will it go? Will it ever keep running? How far does the rabbit hole go, and what’s in these holes we’ve never explored? That’s the questions posed in “Midnight Meat Train,” Ryuhei Kitamura’s tale of a subway serial killer that have been somewhat of an anomaly in the horror world. It’s one that many have desired to see but few have been able to, and I’m glad to say that it’s well worth the wait many of us are enduring that may go on for another year or so. Who knows when the masses will be able to see it, if at all?
Dead Fury (2008)
Frank Sudol’s “Dead Fury” is inspired by classics such as “John Carpenter’s The Thing,” “Evil Dead” and most likely “Night of the Living Dead” and as such is a clear homage that notifies the audience of its intentions before the credits even roll. I’m a fan of Sudol’s “City of Rott” even in spite of the general problems it had in the final act, and he follows it up with a surreal and unusually constructed monster in the house story about four friends out on a hunting trip who find… demons? I want to say Demons who act like Zombies. Either way, “Dead Fury” is a film that’s been met with a bit of scorn from critics, but I like it.
The Stepford Wives (1975)
An “Invasion of the Body Snatchers” for the feminist era, novelist Ira Levin’s horror science fiction thriller is an ode to the fear of feminism, the unwelcome reception it received by old fashioned men who grew up in a society predominantly ruled by subservient women and a bit of a paranoid fantasy that takes the best of feminism and matches it with the male ego that ultimately attempts to snuff out the girl power movement enacted by women after the sixties and take it in to an era where women were soon relegated to tools and props as status symbols for men unwilling to submit to a woman who was well spoken, intelligent, and always anxious to give their men hell for making decisions that they didn’t approve with. Sure it’s an anti-male diatribe, but so what? “The Stepford Wives” original as directed by Bryan Forbes is a reflection on a society that wants to have it both ways.
Awake O’Sleeper (2008)
I was watching “Awake O’Sleeper” on my computer, in my room, in the end of a boring day, half asleep, and ready for a quick film. And what I got at the end was a pretty damn great short musical from Brandon McCormick. And when I say pretty damn great, I mean this is probably one of the best indie musicals I’ve seen in a long time and you can only say that about the 5% of indie filmmakers daring enough to try their hand at the genre.
It's the Great Pumpkin, Charlie Brown: Remastered Deluxe Edition (DVD)
Linus: There are three things I’ve learned to never discuss with people: Religion, Politics, and the Great Pumpkin.
Easter has the bunny, Christmas has Santa, and Valentine has Cupid, so it would only make sense that Halloween would have its own mythical figure to bring great joy, wouldn’t it? According to Linus: yes. “It’s the Great Pumpkin, Charlie Brown!” may not be one of the better Charlie Brown specials but it sure is a great celebration of not just the Autumn season, but of Halloween and what a little faith in the tradition can do to a young child; it’s also one of the better animation jobs from the recently deceased Bill Melendez. Linus believes in the Great Pumpkin a mysterious Halloween figure that brings presents on Halloween Night at the local pumpkin patch.