Director Derek Cianfrance ‘s romance works on the premise that subtlety is everything. That quirks and facial expression can do more than actual dialogue can achieve. But it also helps if you tell a story that’s actually involving and engrossing. “Blue Valentine” is a film we’ve seen a thousand times around Oscar season. It’s the experimental drama about a couple in turmoil struggling to regain that spark. We saw it with “American Beauty” to some regard, we saw it with “Revolutionary Road,” we saw it with “The Good Girl” and lord almighty we’re seeing it again. This time, “Blue Valentine” is about the choices in our lives and how sometimes we can make the wrong ones and not have any idea how to get out of the perpetual rut we’re in. The characters of Dean and Cindy are a couple whose strengths are based around habit and routine.
I’m still shocked Guyver never became a huge American film franchise. Sure, we had two films in America, but they were direct to Video dribble. The first film was nothing but schlocky camp based around lampooning the concept, and the sequel almost got it right by staging a very stern and sleek action science fiction picture that barely anyone saw.
I’m still not sure if it was a large bid of admirable faith or mind numbing stupidity for Lorne Michaels to fuel an adult comedy based around a Saturday Night Live sketch that barely anyone is familiar with on a show no one really talks about anymore, based around spoofing an old 80’s television show that stopped being relevant ages ago. “MacGruber” is a film that is about eighty minutes too long, an endless barrage of ridiculous and droning attempts at comedy that fails on every single conceivable level.