Following up “Ninotchka” is something of a task, especially since Ernest Lubitch’s cinematic masterpiece went on to immortality. For Melvyn Douglas and Greta Garbo, “The Two Faced Woman” is a disappointing follow-up but I’m shocked it was so poorly received by literally everyone during its initial release. “The Two-Faced Woman” is reportedly the film that ended Greta Garbo’s career when she quit show business after the poor reviews during the film’s run destroyed her enthusiasm for acting. As for George Cukor’s film itself, “The Two Faced Woman” is not the disaster I expected, but it’s certainly no masterpiece.
Paranormal Activity 2 (2010)
Like it or not, “Paranormal Activity” was the indie success story of the decade. After the big take off of “The Blair Witch Project,” director Oren Peli proved a valuable successor to the end of the twentieth century sensation by providing a horror film for the digital age where the chronicling of a couple at the mercy of a demon was filmed through HD camcorders and the advent of the then seasoned instrument of the worldwide web. “Paranormal Activity 2” commits what is almost an impossible task. It completely compliments the storyline of the original film while also adding to it.
The Puzzle (2008)
For what it intends to pull off, director Davide Melini’s short thriller is entertaining and bold in that it can tell a story in under five minutes and still feel complete and spooky. There isn’t a lot of explanation toward the puzzle or why the puzzle is so prophetic, but then I doubt the puzzle is supposed to be taken as a literal plot device. Instead it’s supposed to be more a metaphor for what the woman in this tale realized much too late. Besides, if we saw our fates, could we do anything about it? In our attempts to change fate would we instead just walk right in to it unwillingly?
Official Psycho Parody (2011)
Porn parodies are everywhere. Right now with the industry looking for customers porn parodies are what’s in and surely enough they’re big money makers and headline grabbers. It’s just shocking that somewhere down the road someone thought “Psycho” would make a good porn parody. I mean who would have thought a movie about a cross dressing psychopath with an obsessive Oedipus complex and possible incestuous relationship with his mother who mutilated hapless female travelers would make for something of an entertaining and arousing porn flick. Factoring in the thought that “Psycho” was already a fairly sexual film with thick overtones and a sexually repressed man who could only react to an attraction to a woman with aggressive homicidal behavior, and you’re already headed for a dead end. “The Official Psycho Parody” is up for the challenge though as a movie that seems to try very hard to mimic the style and atmosphere of Hitchcock’s masterpiece, while also presenting it’s obvious purpose for being a hardcore porno first and foremost.
Fight the Foot (2011)
Now this is what I call a fan film. Not only does it make good use of its resources, but it manages to re-invent the lore it pays tribute to all the while pleasing the fan base behind it. “Fight the Foot” is a proposed prologue to the new universe of the Ninja Turtles, a film made by the Reserve that is supposed to be a gritty re-working of the Turtle lore while also being respectful to the legacy.
She's Crushed (2009)
Director Patrick Johnson’s horror thriller wants to be an amalgam of “Fatal Attraction” and Takashi Miike’s “Audition,” and while both ambitions are admirable, neither of those classics rise to the surface to add entertainment value to “She’s Crushed.” While Natalie Dickinson is infinitely sexier than Glenn Close, “She’s Crushed” is never quite sure what to do with itself nor is it clear which character we’re supposed to be following. At times we’re told the entire ordeal is Ray’s where he’s forced to deal with alcoholism and memories of his days serving in the military, all the while coping with a new neighbor who gets the idea Patrick may be in love with her after a torrid one night stand. Apparently Ray didn’t receive the all too important memo that women can get that impression.
I Spit On Your Grave: Unrated (2010)
Was this remake entirely necessary? Actually no. Especially when you consider Meir Zarchi’s 1978 revenge film continues to be a widely revered, and critically reviled piece of volatile grindhouse cinema that not only set the stages for future revenge films, but was already remade subsequent its theatrical release where we saw no end of women on a rampage revenge films in the late seventies in to the eighties. “I Spit on Your Grave” is still one of the most heavily discussed and angrily debated cult masterpieces to this day inspiring hatred and praise from many film buffs and to this day inspires pure vitriol from iconic film critic Roger Ebert who despises Zarchi’s film so passionately, he banishes anyone who enjoyed it.