Amateur Porn Star Killer 3: The Final Chapter (2009)

In what I can assume is the final film in the “Amateur Pornstar Killer” film series, Shane Ryan commits fully to the “Final Chapter” in which our villainous voyeur Brandon returns yet again to wreak havoc and pure sexual violence on a poor young girl. Rather than lure her in like the first film, or gain her trust as a friend in the second, he’s just taken her hostage. Seemingly out of options this time around, Brandon and his camera have kidnapped a horrified young woman and brings her to a deserted landscape where he proceeds to pretty much sexually abuse and rape the crying woman as she can do nothing but cry and endure his punishment. As far as Ryan’s film series has gone, this is his most disturbing film to date and I seriously had a difficult time sitting through this. As is the case with Ryan’s other films, there are some utterly pointless sequences here including the first ten minutes which cuts from Brandon’s torture of his first victim, while oddly cutting to establishing shots of a city and Halloween decorations.

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The Raven (2010)

ravenWhat with Hollywood running out of ideas and turning literally anything in to a movie including novelty toys we’ve long forgotten about (ahem–Magic 8 Ball), the studios are doing what we’ve been telling them to do for years now: they’re seeking out independent filmmakers for ideas. So now what with the surge of independent filmmakers retreating to Youtube to post their ambitious projects for free viewing, studios are snatching up these properties in hopes of coming up with the next big blockbuster. I mean… it turned out pretty well for “Paranormal Activity” and “District 9,” didn’t it?

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Paint Shaker (2008)

MV5BMjAxNTI1NjEzNV5BMl5BanBIt’s getting to where whenever director Patrick Rea or anyone from Senoreality releases a new short from their company, we’re ecstatic to see what they have in store for us, because there’s always a guaranteed surprise in store whether we enjoy the film or not. Patrick Rea’s “Paint Shaker” is not a horror film as it is an examination on life and a dark comedy based around monotony propelling in to all out chaos thanks to a misunderstanding and a manipulative co-worker. “Paint Shaker” is very much in the vein of films where there’s always seething rage and aggression boiling underneath our characters where they’re doomed to burst at any second and such is never made more apparent than in “Paint Shaker.”

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Predators (2010)

Nimrod Antal’s “Predators” is probably one of the most simplistic action movies of 2010. Probably of all time. It’s a movie so void of any thinking or brains behind it you don’t have to do much except sit back and let the series of events unfold before your eyes and just watch people walk around and shooting things in a wooded locale. “Predators” offers no reason for knowing about the films before it, about the mythology, or about the overall concept. You just have to know that a bunch of criminals and soldiers have been dropped on to a jungle, are being hunted by something, and have to survive.  That’s more a paper thin concept than an actual plot and nothing beyond that happens. Antal’s film would love to liken itself after the original “Predator” but in reality it’s just another retelling of “The Most Dangerous Game,” and doesn’t demand much from its audience.

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Emily in the A.M. (2010)

emilyintheamDirector Daniel Brown conducts his short drama much in the vein of Scorsese’s underrated gem “After Hours” in which he uses the exploits of a midnight stroll through the city experiencing various exploits with wackos and locals as a form of our character exploring something about themselves. Alison Strycharz gives a very somber and heartfelt performance as the lovelorn Emily, a young girl whose own undoing may be her inability to take a hint and as such becomes a pariah in her own relationship. Confronting her boyfriend one night after an attempt to spend time with him, Emily moves out on her own in to a new city and finds herself incapable of moving on with her life. There, she does anything to pass the time and wallowing in her own memories with him that may all just be lies she told herself to sleep easily at night.

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The Punisher Meets Archie

Around the time “Archie Meets the Punisher” was released in 1994, I was about eleven years old. I bought Wizard magazine and would buy just about every comic that came out at the time. I bought “Super Pro” and “Dark hawk” and even at the impressionable age of eleven I looked at the cover of “The Punisher Meets Archie” and thought to myself “Are you effing kidding me?” In all of the comic characters in all of the world to cross over they decided to cross over the most violent psychopathic anti-hero in the comics universe with the most inoffensive yet addictive cult comic book of all time to meet for a storyline that’s too heavy for an Archie comic book and too light hearted for a Punisher comic book.

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Puppet Master: Axis of Evil (2010)

puppet-master-axis-of-evil-18231-16x9-largeI love “Puppet Master” I think it’s one of the best horror series to come along in years and provided many hours of wholesome puppet murdering fun that I never got with Chucky. With the series, it was obviously quite ridiculous, but it reveled in such and covered up that fact by giving us an array of puppets to root for who became menaces, villains, and then anti-heroes. “Axis of Evil” is an attempted reboot that will definitely not re-invent the entire series as I’d hoped, since it’s mainly just a lazy hack job with barely ninety minutes of its run time, and I retreat back in the old films.

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