In this charming flick for chicks, and basically any woman seeking entertainment in the fulfilling sense, Diane Lane off her successful Oscar nominated role in “Unfaithful” takes a much lighter approach this time around with this fun-filled satisfying romp worthy of watching. Based on the book from Frances Mayes, the charming Lane plays Frances, a woman who is basically a sort of socialite around the town, but her life is basically cut down when her husband (whom we never see) divorces her, leaving her for another woman. A wreck and with no clue as to what to do next, she moves into an apartment in a divorcee complex next to a man who sobs on a nightly basis. Her friends, a lesbian couple decide to give her a trip to Italy, she refuses not ready to get into the social scene yet, but much to her surprise, it’s a gay tour.
The Village (2004)
After lots of cryptic movie posters all over the walls in theaters, posters that showed two hands holding a letter, posters that wouldn’t tell a thing to the casual movie-goer, after cryptic television teasers, commercials that gave nothing away but still kept audiences shocked with its atmosphere induced images, and after a really cheesy really bad mock-documentary exploring the “The Buried Secrets of M. Night Shyamalan” which ended up being nothing than a promotional program , director M. Night Shyamalan has again kept audiences wondering, has kept the media guessing, and has kept critics talking.
Swimming Pool (2003)
Sarah, a renowned author making a decent living with a series of books with the character of Inspector Dorwell somewhat shies away from the throws of recognition and seems to hate almost being worshiped. She’s experiencing a creative meltdown of a sorts and is sent by her publisher, with whom she’s having an affair with, to his country house in the far end of France away from civilization to work on her new book, though she isn’t sure what she’s writing yet. She gets more than she bargains for asking for inspiration when her publisher’s daughter Julie comes to stay at the house unannounced. The two instantly dislike one another, and are exact opposites; Sarah played by the elegant and stunning Charlotte Rampling is a somewhat withdrawn, cold and uptight woman while Julie played by Ludivine Sagnier is stunning, very, very sexy, seductive, adventurous, and very mysterious, but the two don’t like each other.
Le Divorce (2003)
In the film, Roxeanne is the humble American wife who takes care of her daughter and is pregnant, but when her husband leaves her on the eve of her sister Isabelle’s arrival, she finds she must struggle to pay for her apartment and daughters ballet lessons. Isabelle is quickly comfortable in the French culture but stands by Roxeanne, but when a painting they’ve inherited suddenly is caught between a rival family, they have to fight to take it home and received the money that’s rightfully theirs. “Le Divorce” is a study, a study of American values about love, life, marriage, divorce and the role of woman versus French values about the exact same topics. It’s a sort of America vs. France allegory set through a struggle between two families, a notion that is especially exercised in the scene in which Hudson, Watts and Thomas Lennon’s characters meet with the appraiser for dinner, and they all begin sparring with him in their knowledge of wines, cuisines, and just wit in general.
Johnny English (2003)
Peter Sellers is dead, and it’s about time I started coming to grips with that notion. Peter Sellers’ comedic genius was incredible to watch. This man could do impressions, make voices, create new characters and you’d never know it was him, such is the case with his character Inspector Cleauseau. If you don’t know who Peter Sellers or his character are, then shame on you. There’s never going to be another good comedy film, ever, and “Johnny English” is proof of that. If the studio that produced this expects to create a franchise off this character, then they’re completely uninformed. A mixture of different gags and a complete rip-off of Sellers’ hilarious Inspector Cleausaeu to the point where it becomes embarrassing.
Masked and Anonymous (2003)
This pointless, droning, pretentious, pompous, and incredibly self-indulgent piece of philosophical dribble is that rare indie film that makes me say “Oh, that’s why it was never widely distributed”. Being released in only 17 theatres, the writer and director for this film do a really ingenious thing, throughout the film. There are about fifty cameos from some really good actors. It not only gives the audience something to look at, but when surrounded around people who can really act, the producers attempt to make us forget how much of a one note simply awful actor Bob Dylan is. I mean he’s Bob Dylan, this man is like a bad-ass in my eyes with some incredible music, but come on, did he really need to do this film?
Bend It Like Beckham (2002)
Gurinder Chadha tells the tale of Jess (played by the beautiful Parminder Nagra), the youngest in a traditional Hindu family who still follows the ritual of arranged marriages, and ceremonial garbs, but loves to play futbol. She plays it with an all boys team against her parents wishes. She is recruited one day by Jules, a professional futbol player who asks Jess to play for her professional team in which they’ll be coached by the potential love interest for the two and maybe Jess and Jules will be recruited into the American futbol team, but not if her mother and father have anything to say about it.