Based on a true story, the “Stanford Prison Experiment”, some of the scenes of which are featured are actually based on true events during the experiment, the German originated thriller “Das Experiment” gives a true glimpse into the human psyche. There’s this great Looney Tunes episode (aren’t they all?) in which a truck filled with hats falls off the back and scatters along the forest where Elmer Fudd happens to be chasing Bugs Bunny; while they’re in pursuit, the hats happen to fall onto their heads and they take on the characteristics of the hats (Ex: Cop hat: Policeman, Magician Hat: Magician); why I bring up such an obscure pop culture reference is that “Das Experiment” poses the question that that cartoon did, “If put in a particular role for a certain number of time will we act upon the role?”
Basic (2003)
Director John McTiernan, after directing the horrible “Rollerball” remake, displays a high energy thriller which is beautifully directed; there some great shots in the film and the right mood and tension but ultimately it’s all wasted beneath the muddled confusing story. Taking it’s lesson from the classic “Rashomon”, an infantry group witnesses a murder take place attempting to rescue some survivors that never returned from a mission; they soon learn there was a large incident that took place and attempt to discover what occurred. Finding no options they call in DEA agent Tom Hardy played by the energetic John Travolta to take the reigns and interrogate the survivors and unfoil what occured while assisted by the scruffy Lt. Julia Osborne who discover a plot involving sadistic Sgt. Nathan West and his soldiers who hate him with a passion, and soon find much more beneath what looks like murder and drug dealing within the troop.
Solaris (2003)
The film “Solaris” poses some interesting questions about life; How much of life is reality and how much is illusion? How much of life is illusion we’re not aware of, and illusion we prefer to endure for the sake of going on in life? When someone dies, how much of their memory that we store in our minds is real and how much is distorted by the way we preferred to see them as? And, finally, one of the truly provocative questions: Do we ever really know someone? Do we know their flaws and personality inside out or do we just create our own images of them.
Open Range (2003)
Based on the novel “The Open Range Men” by Lauran Paine, Charley is a free ranger along with his superior whom he calls boss; the two friends are teamed with two other young employees and live a simple life out on the open range as nomads herding cows for a living until one of the young employees is badly beaten and imprisoned in a town. When Charley and Boss go to retrieve him they come across a crooked Marshall and town mayor and upon their arrival to their campground, they’re soon being watched and stalked by masked men upon their return to their home, but when Charley and boss decide to take it upon themselves to stop the stalkers, they return to their home ravaged beyond belief and their friends hurt badly.
Dog Soldiers (2002)
What if Steven Spielberg and Stephen King got together and decided to mix “Silver Bullet” with “Saving Private Ryan”? You have a rather large hunk of horror/action fare for any movie nut to chew on, and this is some film to chew on. Take a group of completely different people, store them in a confined space with very little and/or limited weapons while they’re forced to fend off against ravenous monsters who are lurking at every corner while they’re forced to deal with each other, as paranoia inevitably ensues. “Dog Soldiers” is one bad mutha of a horror film successfully following that formula and creating an experience for viewers that will linger on your mind forever.
The 25th Hour (2002)
“The 25th Hour” delves with the question of: If you only had one day left of freedom what would you do? Where would you go? Whom would you spend your last hours with. For Monty Brogan, it’s something he must face as he quickly looks out onto his seven year sentence in jail after being discovered by DEA agents for storing a kilo of drugs. But, as his last hour draws upon him he decides to tie up old wounds with his friends and family and discover who squealed on him to the DEA, what he inevitably discovers will shock him and make him question his life. From the opening scenes symbolic of New Yorkers and the events of 9/11 to the heart-wrenching finale, this thought provoking character study which dares to answer that question of what a man would do on his last days free. It’s also symbolic asking the audience watching, what would you do on your last day of freedom?
The Life of David Gale (2003)
“The Life of David Gale” is yet another Hollywood film preaching for a cause. I wouldn’t have much of a problem with such a concept if this film orchestrated it the right way without such a ridiculous turn of events in the last segment of the film. “The Life of David Gale” portrays capital punishment abolitionists not only as melodramatic, but as despicable, self-righteous, under-handed, hypocritical, smug, and sleazy. Not only is it an unfair and inaccurate portrayal of people who are anti-capital punishment but it contradicts the theme supposedly revealing that it’s for capitol punishment and supporting people who feel this way when it’s completely contradictory.