BAD MOVIE MONDAY: THE GREASY STRANGLER (2016)

Can a movie make a conscious effort to be bad and still have the same mystical magical qualities of an unintentionally bad movie? From my own personal experience, the answer to that question tends to be a loud resounding NO. The Sharknado series is a prime example of this. While the films may have their hearts in the right place, and everyone involved is doing their best, you just can’t fake the true spark of mad stupid inspiration. For example, imagine the difference between someone who’s pretending to trip down the stairs and someone actually tripping down the stairs. It doesn’t look the same. It doesn’t feel the same. It certainly doesn’t elicit the same response from an observer. If that’s too intellectual for you, let me put it another way: Trying to make a bad movie on purpose is like trying to take a crap when you don’t have to go. I mean, you’re gonna get a tiny little bit of shit, but it’s not going to be very impressive.

Which brings us to today’s review. A little movie called THE GREASY STRANGLER.

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Oppenheimer (2023) [4K UHD/Blu-Ray]

Say what you want about Christopher Nolan, but his sense of theatrics and spectacle works wonders in exploring the calculated creation of the Atomic bomb, as well as the life story of J. Robert Oppenheimer. Arguably one of the most destructive figures in world history, “Oppenheimer” is simultaneously a biopic of Oppenheimer as well as a deep dive in to the development, and politics of the atomic bomb and how it changed the world drastically.

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The Monster Squad (1987) [4K UHD/Blu-Ray]

I’ve written in great length about director Fred Dekker’s “The Monster Squad” over and over. I love it. I’ve loved it since I was a kid, and I love it now. I wore out the VHS when I was a wee lad, I had a bootleg DVD in my collection when it was out of print for many years, and ever since I love to re-visit it whenever I can. “The Monster Squad” is a drastic departure from director Fred Dekker’s other cult classic “Night of the Creeps,” but like it, “The Monster Squad” is an unabashed love letter to horror movies, and the horror genre in general.

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Family Switch (2023)

McG’s “Family Switch” is a movie we’ve seen a thousand times before. It doesn’t re-invent the wheel and doesn’t really seek to, at that. It makes it abundantly clear in the big turn of events involving the body switch as the four central characters make blatant references to “Freaky Friday,” “13 Going on 30,” “17 Again,” and “Big.” It’s tough to really judge a movie like this because it’s an easy slam dunk. It’s an easy paycheck for Jennifer Garner and Ed Helms, and current teen star Emma Meyers (off her debut on Netflix’s “Wednesday”) is allowed her own vehicle.

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