Director Maria Lee Metheringham’s “Pumpkins” is a film that would have worked so much better as a short form segment in an anthology horror film. As a feature length film, it falls painfully flat. Everything that needs to be resolved about the narrative is literally resolved in the first half hour. Everything else is merely filler that transforms what could have been an interesting revenge tale in to another slasher film.
Natty Knocks (2023)
With these indie horror films set during the Autumn or Halloween, the filmmakers often tend to forget that Halloween should be a spice, not the main ingredient. Dwight Little who is mostly famed for delivering “Halloween 4” give us a movie that is in essence a Halloween movie. And it’s a Halloween movie with a pale faced villain. But it’s not a movie with a certain pale faced villain because, you know, copyright and all that. What could have been a great Halloween flavored horror movie is essentially just a chore to sit through.
Five Great Minority Movie Heroes: October Edition
Barbarian (2022)
Director Zach Cregger’s horror dark comedy is one of the most unpredictable horror movies I’ve seen in years. After missing it in 2022 due to… circumstances, I’m glad I finally went in to it as blind as humanly possible. It’s a good thing to go in to “Barbarian” blind, because it takes the audience in to twists, turns, and spirals that they simply will not see coming. It begins as one kind of movie, turns in to another kind of movie, and then doesn’t stop shedding its skin to become a completely different kind of beast.
The Michoacan File (2023)
In this documentary, Mexican cuisine is front and center, from its history to its influence on other culture’s cuisine, the fight to get it recognized internationally, and how beloved it is.
Malicious (2023)
A family goes to a lakeside cabin for a weekend retreat and to reconnect with each other. Once there, a stranger finds his way in the house and things take a turn.
Five Movies to Look Out for at The Brooklyn Horror Film Festival 2023
For the eighth straight year the Brooklyn Horror Film Festival comes to New York City to debut and celebrate a slew of horror films, from the independents to the masters. The Festival runs from October 12th through October 19th with all screenings held at Nitehawk Cinema’s Williamsburg and Prospect Park locations. This year, the Brooklyn Horror Film Festival is placing an emphasis on J Horror with tributes to Hideo Nakata and what became a sub-genre.
Here are five films on the schedule I’m looking forward to.



