The Chromakey Man (2022) [CINEJOY 2023]

Success or the potential for success can be a harrowing prospect for any artist, especially when they’re faced with the specter of impostor syndrome. Told through a unique avenue, “Chromakey Man” is a pretty insightful look in to a man facing inevitable success in a field he’s been struggling in for years. The problem is he has to face whether or not he’s ready for that success, and that becomes an inner conflict for him.

Continue reading →

Requiem (2021)

A film like “Requiem” is just begging to be turned in to a feature, as I think a lot of the whole Salem Witch Trials is capable of interesting stories. “Requiem” is not so much a tale about the Salem Witch Trials, and how it became a scapegoat for hate, repression, and homophobia.

Continue reading →

Fear (1996): Retro VHS Collection [Blu-Ray]

In a decade filled to the brim with thrillers, James Foley’s “Fear” is one of my absolute favorites. It’s schlocky in certain instances, but it’s a satisfying twist on the “obsession thriller” by injecting it in to something of a young adult novel framework. “Fear” is one of the debut performances by Mark Wahlberg, who was previously known mainly for being a hip hop star. His take on sociopathic maniac David is much more in keeping with Wahlberg’s sensibilities and he’s able to bring to life a pretty terrifying villain.

Continue reading →

Wayback (2020) [CINEJOY 2023]

Director and Animator Carlos Salgado’s “Wayback” is most appreciated as an experience more than a narrative feature and that’s fine. “Wayback” is a stellar and beautiful animated science fiction short that implements computer animation to unfold a tale about exploration and trying to save an alien world.

Continue reading →

The Good, The Bad, and the Buggy (2023) [CINEJOY 2023]

I can’t say that “The Good, The Bad, and the Buggy” works as a short film, so much as a potential sketch for a web comedy. It’s a funny and cute sort of short film about parents being about as petty as humanly possible. One thing that hinders “The Good, The Bad and the Buggy” is that there isn’t any actual extrapolation as to why these parents are feuding with each other. 

Continue reading →

Space Race (2022) [CINEJOY 2023]

There’s nothing better than an inventive animated film that makes the most out of simple elements. Director and Writer Shane Dioneda’s animated short “Space Race” isn’t just a great, inspired space adventure, but it really feels like something that would have come out of the age when ATOM Films was a presence on the web (with a dash of Aardman for good measure). I mean that as the utmost compliment.

Continue reading →

On The Line (2023) [CINEJOY 2023]

I have a great respect for what Director-Writer Oliver Pearn pulls off with “On the Line.” It’s a competently directed and well constructed thriller that takes its low budget and implements it to create genuine atmosphere. Sadly, I wish I liked it more than I did, mainly because I wasn’t invested in the core mystery that fuels his drama thriller. Fans of audio dramas will especially be fond of how the movie enhances the narrative by depending more on the delivery of its voice cast, encouraging us to envision what’s unfolding rather than showing.

Continue reading →