1987’s “The Lost Boys” is often examined as a film with heavy overtones of homoeroticism, and the idea of embracing the vampire mythology in a broader scope. It somewhat re-invented vampires, and even influenced many a creator in modern vampire fare. One of the reasons why I absolutely adore “The Lost Boys,” among many others, is because of its commentary on male models and debasing the antiquated idea of the nuclear family. While “The Lost Boys” is a play on the term from “Peter Pan” about a group of boys that never age, the title is also a play on the recurring theme of male role models and lack thereof.
Candy Corn (2019)
The odd thing about Josh Hasty’s “Candy Corn” is that it feels like the first chapter in an anthology or movie series. I don’t know how far they’ll take this concept, but I’d love to see more Halloween based tales of revenge as coordinated by this traveling carnival and its vindictive ring master. I’m not going to say that “Candy Corn” is a masterpiece, but as far as Halloween movie treats, it’s a very good horror film soaked in the Halloween aesthetic.
12 Hour Shift (2020)
Draupadi Unleashed (2019)
Death of Me (2020)
Summerland (2020)
Interview with Honey Lauren, Writer and Director of “Wives of the Skies”
With the award winning “Wives of the Skies” now available on Amazon Prime Video (courtesy of Hewes Pictures), I was able to speak with writer and director Honey Laurens. Laurens, a prolific and notable cult actress has unleashed her third short, which she describes as an ode to “randy stewardesses.” Lauren’s “Wives of the Skies” has garnered over 30 awards, and features a great cast including Rachel Alig, Maddison Bullock, Sebastian Fernandez, and Drew Brandon Jones, and she speaks enthusiastically about her newest work.




