“Department of Anarchy” Short Block
A lot of “Slip Road” is left to the viewer to interpret and for a short form film, and I don’t mind saying that it can be a bit of a task. “Slip Road” is beautifully filmed, along with some striking visuals, I just would have loved a tad more information so we can come to a conclusion and appreciate the overall journey without spending most of the run time trying to put the pieces together.
“Department of Anarchy” Short Block
Christian Chapman, Paul Jason Hoffman’s “Dog in the Woods” is a simple but dazzling meditation on the dog and its harmony with nature. Though the premise for “Dog in the Woods” feels very one note, the direction by Christian Chapman, Paul Jason Hoffman opens up a new corner of the narrative with a premise that conveys a lot about how dogs have a better understanding of nature. Even the more domesticated dogs.
I expect that James Kaelan and Blessing Yen’s “America the Beautiful” might end up being one of the most polarizing and controversial films of Slamdance 2019. I can also imagine it might draw some jeers from the audience that might draw some preconceived notions from the outset. Even as someone who has been on the opposite side of the whole MAGA wave, I liked the idea of a found footage thriller based around Trump fanaticism. The idea is very good it’s just that the movie itself leaves so much to be desired, mainly because of its habit of being very abrupt and badly paced.
Akeda (The Binding) (2018)
Dan Bronfeld’s drama is a disturbing but fascinating bit of meta-fiction that examines the real life brutality of war and loss of innocence. Bronfeld stages the film initially like an actual confrontation between American soldiers and an Israeli family. When the surviving son of the family emerges from his spot we learn he’s actually making a film. But is he? As we learn more and more about the filmmakers and their inherent tribalism, what we think we’re seeing doesn’t quite seem as absolute anymore. We’re left to wonder if he’s making a movie, or if he’s merely lying to himself to shield from the horrors of the war and violence that’s unfolding all around him. “Akeda” makes a strong statement about the brutality and sensationalism of war, and it’s a gem of a drama.
I wish I liked “Lost Holiday” a lot more. While I think the premise has a ton of potential to be an off kilter drama mystery, it works a little too much in the bizarre comedy spectrum to really involve the audience. Michael and Thomas Matthews mix a coming of age comedy with a crime mystery, focusing on a gum shoe of a woman who has no idea how to keep herself from falling over, but decides to solve an unusual kidnapping that only sees her descend deeper in to catastrophe.
Director Heidi Yewman does a lot to conjure up awareness of gun violence and has contributed to injecting the reality of gun violence in the public consciousness. With ”Behind the Bullet” she continues that tradition for better and for worse. While “Behind the Bullet” is a documentary that everyone should watch, it’s a documentary people will only be able to see once, as it’s often difficult to endure. It shows us the stark reality of gun violence in four forms, but it’s also so incredibly depressing and soul crushing, and at rare times feels like its intent on shocking us more than informing us.
It’s not often these days I can sit down to watch a film that just transports me in to another place or time. Sometimes the artifice is too apparent, but I tell you “The Vast of Night” transported in me in to another place and time from the moment the movie opened. Andrew Patterson has on his hands a movie that promises to become a genre classic, and I’m glad I was able to watch it during its time at Slamdance. It’s a masterpiece of genre film making and one I was bowled over with until the very end. I am not at all kidding when I say once the film closed, I sat in my seat still and stunned.