Director and writer Jeremiah Kipp creates a very stark and somewhat creepy tale of loss, grief, and child abuse with “Slapface,” a short that is destined to grab a lot of people’s attention. At only eight minutes, “Slapface” tells the story of a young boy still coming to terms with the loss of his mother. One day he ventures out deep in to the woods and calls to something in the shadows, goading it to come out of hiding and before long is greeted by a vicious, ugly ogre in tattered clothing and long hair that zealously grasps him to the point of making him lose consciousness.
Mune: Guardian of the Moon (2015)
“Mune: Guardian of the Moon” draws obvious influences from the likes of Studio Ghibli and Laika, and it’s a rather entertaining gem of an animated fantasy that I couldn’t help but enjoy with a wide smile. After “The Emoji Movie,” it’s very calming to know that there are still studios out there trying to deliver quality family animated entertainment. Dubbed over from the original French track, “Mune” translates well for domestic audiences, and I didn’t have a very tough time following what is a pretty nifty premise based around mysticism, nature, and the like. It also sports the classic hero’s journey trope, which isn’t so bad when it’s handled subtly.
You Have to See This! NY77: The Coolest Year in Hell (2007)
“New York wasn’t burning. It was burnt!”
Director Henry Corra’s exploration of what New York was in 1977 is quite fantastic and a surprisingly rare chronicle of the political and economic turmoil that ironically bred timeless art and music. As a born and bred Bronxite, 1977 is a mythical year, and a period of the decade that I’ve heard about very often from elder family members. In particular, the night of the infamous black out of New York, my mom and uncle were stuck in the edge of downtown Manhattan and had to brave their way home during the mass looting and rioting. “NY77” garners a very unique tone that balances out the inherent importance of the year, the depressing living conditions of the city, and the obvious fun that was had by most, who managed to endure poverty with laughs and creativity.
The Bootleg Files: Jack Benny’s First Farewell Special
BOOTLEG FILES 601: “Jack Benny’s First Farewell Special” (1973 television production featuring Bob Hope, Johnny Carson and Dean Martin).
LAST SEEN: It can be found on YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: No one wants to put it out on commercial DVD.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: There is no great push to get this released.
I don’t know who came up with the term “special” to define the one-shot variety productions that pockmarked television broadcasting from the 1950s through the mid-1980s. For the most part, these offerings were anything but special – most were forgettable, some were dreadful, but only a handful possessed the emotional or artistic quality that truly deserved to be called special.
Annabelle Creation (2017)
A prequel to the prequel to The Conjuring films, the story here is that of how the evil doll Annabelle came to be. Years following a tragic accident, a doll maker and his wife take in a group of orphans needing a new place to live with the nun who watches over them. As they are forbidden to go in a specific room, the young girls get curious and something is awakened.
The Emoji Movie (2017)
What I’m sure was going to set the platform for a Sony movie/ad universe following up with a The “Tic Tac Toe Movie,” The “Peek a Boo Movie,” and “The Jingle car keys in front our Faces Movie,” “The Emoji Movie” (aka “The Sony Press Kit”) is the height of laziness to the point where the script was probably written on a napkin at a some overpriced coffee shop in Beverly Hills. “The Emoji Movie” is not just bad, but it’s offensively boring, and tedious. It’s “Doogal” bad. It’s “A Shark Tale” bad. There are just so many bafflingly stupid and moronic moments in “The Emoji Movie,” that I can’t believe any actual writer put all of this down on page with sincerity or the goal of turning any of this in to a pop culture craze.
Overdrive (2017) [Fantasia International Film Festival 2017]
A duo of car thief brothers runs into trouble after making a deal with a local crime boss in the South of France.
Written by Michael Brandt and Derek Haas and directed by Antonio Negret, Overdrive is a fun car heist film with exhilarating chases, twists, turns, and beautiful vintage cars. It takes a few cues from The Fast and the Furious, Gone in 60 Seconds, the Transporter series, etc and makes them all its own. The use of the car is definitely a plot device, but it works quite well here. The characters are not particularly deep, but as the film is mostly action car porn, it doesn’t really matter in the end. What matters is that they are believable enough to take the viewer through the story and its twists and turns while being entertaining and fun to watch. This film is one of those that is made for the fun of it and not to pass on some kind of grand message, something that is perfectly fine and well done here.