Director Nicolas Winding Refn’s 2011 masterpiece may be one of the most misunderstood gems of the year. Rather than opting for a simple take off on the Ryan O’Neal classic heist film, he instead focuses in on the consequences of the choices made by criminals and the deeply meditative state of life that can ultimately be a reflection of the crimes we commit throughout our years. “Drive” feels almost like that lost jewel of the late seventies and early eighties, a film that focuses solely on the aftermath of crime rather than the crime itself and zeroes in on a sole individual whose own choices have come back to haunt him and ultimately put him in a position where he must seek redemption before the evil corrupts the only good in his life.
As a product of its environment, “Attack the Block” is not only the definition of an independent film, but one of the finest films of the year. A true testament to the ingenuity capable by filmmakers under a small budget and limited resources, director Joe Cornish’s “Attack the Block” is that rare cinematic adventure that manages to live up to expectations and surpass them at the same time. It’s one of the most pleasant experiences I’ve had at the movies in years mainly because it’s so competently made and well imagined that it doesn’t require the respective movie goer to do much except watch mankind fight some alien monsters in the middle of the UK.