Francis Lawrence has an incredible eye for details and visuals in all the movies I’ve seen from him. Even his worst movies have some of the best surreal stark visuals I’ve ever seen, and the man knows how to implement CGI to enhance his films instead of rely on them to provide entertainment. I just wish the man made better movies. What’s it going to take for this man to bring us something spectacular? As for “I Am Legend” it’s wholly unspectacular, but without a doubt one of my favorite guilty pleasures of 2007.
Tag Archives: Action
Doomsday (2008)
Marshall is perhaps one of the most underrated, unnoticed, wildly creative directors of our time, and it sucks when I can watch something like “Doomsday” and frown that not many chose to see it with me. Currently one of my favorite directors in film, Marshall is 3 for 3 with a slyly tongue in cheek post-apocalyptic thriller that takes place during the end of a destructive disease called The Reaper which took most of the civilization in Glasgow. Closed off from society, the government’s plan to quarantine the country forever turned on them as the world suffered from over population and now the Reaper is back. “Doomsday” has elicited many comparisons to classics like “Mad Max,” and “Escape from New York,” and even fans of the film have agreed to these very apt comparisons.
Serenity: Better Days #1 (of 3)
I’ll tell you what the fundamental problem with “Serenity: Better Days” is, so far. There’s too much fore-shadowing to “Serenity.” There’s so much it became pretty irritating to read at times. Wash makes a hint at the possible getting together of Kaylee and the Doc, and heck even the cover has Wash and Zoe holding hands. We know what happens in “Serenity,” there’s no need to keep connecting the dots to remind us this is a sequel to “Those Left Behind,” and the second part of the comic book prequel… you follow?
Hawk Jones (1986)
And now for a trip down memory lane: Back when I was a young lad, my dad used to look for kids movies we could watch whenever we were up to no good and around our block there was a store that had an incredible collection of movies for sale. The selection was absolutely fantastic, with movies that were very hard to find and rare, and became even more so once the Blockbuster’s and Netflix’s of the world choked them out. Either way, he bought us this movie called “Hawk Jones” on VHS for a mere five bucks and boasted about its surefire entertainment value. Well, he wasn’t incorrect.
Appleseed Saga: Ex Machina (2007) (DVD)
There’s simply no denying it; “Appleseed Ex Machina” has some utterly incredible animation with some of the best character designs I’ve seen in the CGI field in years. The landscapes are extraordinary, the visuals are absolutely dazzling, and much of the action is committed with a tight editing brilliance that keeps the action in a constant rapid fire pace. The “Appleseed” films always have the most dazzling computer animation, even if you don’t always receive the most enriching experience. If you recall our early review of the first “Appleseed” movie, you’ll remember that we pretty much disliked everything it stood for. It was overly complicated, cliché, tedious as all hell, and was pretty much existent for its incredible animation with zero substance to provide its audience. Okay, so John Woo allegedly produced this sequel, so what? “Appleseed Ex Machina” is just the same movie as its predecessor, except just boring with a little more to offer, which isn’t saying much when you consider the first film’s goals.
30 Days of Night (2007) (DVD)
I guess it’s just a cardinal rule from now on, but regardless of who you are, some comic books just can’t be movies. Because while “30 Days of Night” is a very good vampire film, it just isn’t the best I’ve ever seen. I wasn’t tingling, I wasn’t beaming, and I simply wasn’t connecting to these fanged fucks from beginning to the end. Granted, “30 Days of Night” is a great chaotic vampire film that puts the bite back into these demonic beings, but watching it a second time grants a better sense of clarity, and it’s just not a masterpiece. Watching it again also made me appreciate what I may have ignored the first time. David Slade has a great grasp on the concept and narrative presented here giving his vampires an utter sense of terror. They’re mindless, but they’re also calculating and clever without being homoerotic and mopey theater patrons. “30 Days of Night” is a valiant success at completely rethinking the vampire concept, and it works for what it promises.
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)
Beyond watching the movie marathons every summer on the local television stations as a child, I never really considered myself a fan of the Godzilla movies. Granted, I love the character of Godzilla, but I never actually cared about the mythos, the supporting characters, or any of the spin offs. But at one time I really cared for characters like Gamera, and Ghidorah, and Jet Jaguar, so the endless recommendations on the part of movie geeks insisting this was a very different Godzilla movie swayed me enough to want to see what “GMKG” was actually about, and surely enough it’s a very good Godzilla movie that takes all of the monsters and makes them villainous threats once again.