DRACULA WEEK
When we first see Gabriel Van Helsing in “Van Helsing,” he’s on the pursuit of Mr. Hyde, a hulk-ified version of Dr. Jekyll. While the Stephen Sommers movie was a bust, “The London Assignment” at least takes its best shot at filling in the gaps. “The London Assignment” is an okay attempt a prologue for Gabriel Van Helsing, where we follow him in his efforts to stop the vicious murder spree of Dr. Jekyll and his monstrous alter ego Mr. Hyde.
Damnit. Timothy Woodward Jr’.s “Til Death Do Us Part” is a wonderful idea, one ripe for a great horror comedy with a ton of action and what we ultimately got was just… not what I was completely expecting. Granted, the movie does have a wonderful grasp on what it’s trying to do, but the delivery just felt off. It’s a movie that clocks in at almost two hours, and rather than charge in head first with the laughs and action. Instead the movie takes a lot of time, at least twenty or thirty minutes, establishing the initial storyline and back story.
Despite being mainly associated with the 1980’s, Eastman and Laird’s “Teenage Mutant Ninja Turtles” is the franchise that has yet to suffer a death of obscurity. It is instead rebooted and revamped every decade for a new generation and they still hold some massive appeal. This week the Turtles make their cinematic comeback with “Mutant Mayhem,” an animated reboot from produces Evan Goldberg and Seth Rogen. In celebration I thought it’d be fun to rank all of the cinematic outings of the Heroes in a half shell from Best to Worst.
What are your rankings?
What we’re seeing with “Mutant Mayhem” is what happens after every movie makes a bang at the box office. The “The Spider-Verse” movies were so beloved and influential that we can expect studios to ape its animation and storytelling style for at least a few years. The first of what will probably be many to come is “Mutant Mayhem.” Jeff Rowe’s animated movie is a new re-imagining of Eastman and Laird’s “Teenage Mutant Ninja Turtles” franchise, but aimed a lot more toward Generation Z. That’s both a quality that improves what producers Seth Rogen and Evan Goldbergh aim to be the beginning of a new wave of popularity for the Turtles, and a hindrance.
There was just something so appealing about playing “Twisted Metal” as a kid. I fondly remember when it first came out on Playstation in 1995 and was hooked. When we got our first Playstation we played “Twisted Metal” for hours, finding new ways to eviscerate our opponents and win the battles. For those that have never had the pleasure, “Twisted Metal” is a based on an all out free for all battle video game where you man one of multiple armed vehicles in an attempt to come out the victor. The big bad of the game you’d have to ultimately face off against was the armed Ice Cream car with the clown on top called “Sweet Tooth.” There was always room for “Twisted Metal” to become something of a live action property, but now that video game movies are on the verge of become hotter than ever, it seemed like the right time for an adaptation.
A man jumps in the back of another man’s car while he’s on the phone with his pregnant wife who is in delivery. Soon, it turns to a hostage situation with a lot of discussion and discoveries.
Although Charles Band and his studios are mainly known for horror, Band also dabbled heavily in to action, comedy, porn, and yes, especially fantasy films. “The Primevals” in spite of its limited budget is perhaps the most complete and richly developed Charles Band backed film I’ve ever seen in the studio’s entire history. David Allen has a clear vision of what kind of adventure film and he fully realizes it in what is such a fun, inventive and vintage action adventure. With obvious influences from Harryhausen, RKO Pictures, movie serials, and the Fleischers, “The Primevals” is a damn good bit of matinee fare that I could easily myself re-watching and re-watching on VHS when I was a kid.